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A short story of Frances and me

A wee story… They say you should always be wary of meeting your idols. When I was a journalism student (back in the 90s…) Frances Whiting was my absolute inspiration. Mum and I would each take turns reading Fran’s weekend article, variously chuckling or tearing up, and every time I thought “this is what I want to write”. Human stories, character stories, small town stories, big emotion stories.

Jo and Frances at Brisbane Square Library

Sadly for me, there are very few opportunities to make a lifelong career in journalism (especially that kind) but that wasn’t the path for me. I took my skills and I did write all those types of stories… just really, really long versions in novels 🙂

Frances and Jo at Annie’s Books at Peregian

When Fran’s book, Walking on Trampolines, came into the world, I rushed to Annie’s Books on Peregian to see Fran in person (sorry Fran, that photo is a truly awful one of both of us… luckily we just keep getting better with age 😊). This was the moment for me to meet my writing idol and inspiration! Was she just as warm and interested and focused as she was in the paper? Gasp!

Of course she was.

Years later, I attended the Burdekin Writers Festival and was lucky enough to be billeted with a wonderful host family AND Fran AND Susan Johnson! My gosh… I was such the new kid on the block compared with these two veteran writers. Were they good to me? Exceptionally. Did they let me eat more than my fair share of homemade cheesy potato cakes each morning? Yep. And did Fran offer me targeted fashion/style advice that neither shamed nor belittled me but actually made me feel more empowered? YES, she did. (And anyone who knows me knows I NEED fashion/style advice because I live in yoga pants and horse t-shirts.)

Last week, while touring for my 10th book with Phoenix Rose, Fran hosted me in conversation and I have to say that more than once I thought… wow, maybe I’m finally a real author now…

Thank you, Fran, for the warm welcome, taking care of my heart, and allowing me a beautiful full circle moment. You and your writing make the world a better place, reaching more people than you know. x

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Orion Kelly and I Sat Down for a Chat

I had a great chat with YouTube star, Orion Kelly (That Autistic Guy), about what terrible travellers we are, late autism diagnosis, writing neurodivergent characters, planting seeds of change through The Arts… and more! You can watch it now and marvel (as I do) at how much I talk with my hands… 🙂

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Leonie Dawson in The Hot Seat

Catch-up TV. Have you met or heard of Leonie Dawson? She’s a local (to me!) Sunshine Coast creative and wealth-creation entrepreneur who makes her living working just 10 hours a week. True story! She’s a spicy, generous, big-hearted, swear-bear soul who gives away loads of her knowledge for free and rest for not much at all! I’ve been a big fan girl for over a decade now and was thrilled to sit down for a good old chat about her perennially popular ‘My Brilliant Year’ workbook (but it’s actually fun). She did want me to give you a language warning, though, just so you’re prepared 😍😆💗 She’s one of a kind and that’s why her fans love her. Buckle up 😉

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Author Interview with Luke Rutledge about his Debut Book ‘A Man and His Pride’

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Author Interview with Karina May and her new release “Duck a l’Orange for Breakfast”

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Catch up with Kay Kerr and her book ‘Love and Autism’

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The Official Unboxing (Kind of) of The Wonderful Thing About Phoenix Rose

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Do You Need a Manuscript Assessment?

(And let me tell you about that time I had to ditch 50,000 words of my novel….)

If you’re a beginning or emerging writer (or even an established one), you might be in need a manuscript assessment.

The very first memoir I wrote was shortlisted for a publishing award. Looking back, though, the manuscript didn’t have what it needed to get through a publisher at that time. But I didn’t know that then because I didn’t have enough experience yet; however, if I’d had a manuscript assessment, I think an astute assessor could have directed that manuscript into a publishable piece of work.

Then, while writing my fourth book (which was contracted and an advance had been paid), I got halfway through and realised I needed help. I paid for a manuscript assessment with a trusted editor and it shed so much light on the ways I had written myself into a corner. It was so valuable.

Here are a few of the reasons you might find yourself wondering if you need an assessment and why you might be right.

This is An Excellent Time to Get an Appraisal

Getting an appraisal earlier rather than later can save you from taking your story into directions that aren’t helpful. An appraisal can help show you where the gold is among the rubble, allowing you to ditch the rubble and let that treasure through. In our first drafts, we often can’t see the wood for the trees. We are ‘word blind’ to our own work because we’ve been staring at it for so long. We need fresh, expert eyes to see what’s really going on. (And that’s all of us… beginners or multiply published writers.)

If They’re Not ‘In The Arena’…

I’m sorry to say that they are unlikely to be able to give you what you need. Think of it this way. Your mum could probably do a fair bit of skilful first aid when you came off your bike, but if you had bones exposed and wounds of gravel, you needed a doctor! Family and friends can give amazing support. (They can also do the opposite. If so, we need to talk.) Usually,
friends & family’s best support is spent in practical ways (… childcare, cash, coffee, study time, a room of one’s own) and emotional support. But if it’s hard core writing craft you want, you need an expert in the field (in ‘the arena’).

You Are Correct!


Agents and publishers will rarely (if ever) look twice at something you’ve pitched. I know it is hard to wait. I know it’s hard to do yet another draft of your story. Everything moves so slowly in the publishing world. But… the upside of that is that because everything moves so slowly, you have time. You have time to do another draft. You have time to rework your manuscript, but only if you are taking it in the right direction! Trust me, as someone who has ditched 50,000 words of a manuscript that was going in the wrong direction… it HURTS! Don’t spend years going in the wrong direction. The sooner you know, the sooner you can turn around and get back on track. Or, as happened to me, clear the deck for the right story to arrive instead.

If you are ready for a manuscript assessment, you can contact me here.

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Mentoring, Coaching and Manuscript Assessments

Calling all writers or aspiring writers!

Lovely ones, I am for the first time ever opening my doors to mentor, coach and assist developing writers. Why now? Maybe because The Wonderful Thing About Phoenix Rose is my 10th book, which has a nice feel to it. Maybe because I’ve been in this game for a long time now (with a string of bestsellers, international publications and never out of contract) and, ridiculously, it’s only just occurred to me that i could share my skills and knowledge and others might even appreciate it 🙂 (Yep, I’ve been the queen of imposter syndrome and have just realised how wrong I’ve been.)

(It’s also highly possible that the introduction of ADHD medication has finally given me the energy, focus and capacity to do a heap of things I am passionate about but never had the energy to do. But, I digress…)

It’s certainly because I remember how difficult it was when I was a writer who was past ‘the beginner’ stage but not yet at the ‘accomplished’ stage (a truly awkward and at times isolating experience). Maybe it’s because I am a homeschooler now and there’s something about homeschooling that makes you think differently about, well, everything. And it’s certainly because my ‘teacher genes’ have been re-activated over the past year. And as much as I remember that awkward ‘in between’ stage of writer development, I have huge passion for beginning writers too and in homeschooling I’ve become exceptionally sympathetic to the plight of writers who simply don’t believe they start, better their work, or finish a work. (Newsflash, you can.

If you’re a writer and would like some help, please do check out the four programs I have put together (just to get us started…. because spending weeks of website maintenance is really not my favourite thing to do and four was all I could manage right now!). And because I am committed to helping you long term, you’ll find I’ve built in long term support past your initial package. (See this example.)

If this is the year you want to write or you want to move to the next level of writing, I am here for it. I’d love nothing more.

Raw beginners through to published authors are welcome, as are all ages and abilities.

(Also, if you are an NDIS client, you may be able to claim your investment. Email me for more details on NDIS.)

I hope to see you soon!

Jo

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What is A Writer’s “Voice”?

A writer’s “voice” is a difficult thing to explain but you know it when you hear it / read it. Compare the voices of Jane Austen, Anh Do, Liane Moriarty and James Herriot: all of them are very distinctive. They’re the kind of voices you might guess easily if you started a new book with no author name on the jacket. 

So what is it?

The voice is the way the words are constructed (syntax). It’s the words that are chosen or left out. It’s the tone, it’s the style, it’s the dialogue, it’s the humour (or not), it’s the spareness or the abundance of words, it’s the details that are fixated on or overlooked. It’s the content, too. It’s the themes, pace, punctuation, familiarity or formality, local/regional dialect and so much more.

It’s very much about authenticity. It’s also a big part of your ‘band’; it’s that thing that will shape your reading audience (draw people to you or not). A consistent voice allows a reader to trust you and relax into a story with a feeling of trust in you. Your subject matter can change, of course, but your voice will carry through across the body of your work.

The voice is the thing that makes you the writer YOU are and it takes time to develop. You find it by writing a lot of words. Short stories are a perfect place to practise your voice. Your voice might change over time, even after you’re published, and that is normal too, though it would be unusual, I think, to have vast variation in voice. But if that was the case, you would probably choose to write under a different pen name so as not to alienate your dedicated audience.

These days, I have a pretty good instinct about when I have slipped out of my voice, when the words just aren’t hitting the page in a very ‘Jo Moon’ way. The voice is the thing I’ve come to trust, even if it’s taking me to places in the story that scare me. I’ve come to know that if I follow my voice, I’ll be okay.