Last call to book your place in the Summer of Short Stories or Write Your Novel for 2025.
Early bird registrations close midnight tonight, 30 November, 2024 (AEST).
Start your new year on the write foot. Join the fast and the furious in the four-week short story writing course. Finish the month with three short stories to pitch or enter into competitions.
Then, follow on with Write Your Novel. Over six months, we’ll coax that story out of your head and onto the page.
Let’s go!
Jo X
Tick Tock! You can join the Summer of Short Stories now at EARLY BIRD pricing!
A. They jump straight to writing a novel without first mastering the art of the short story. That’s like me at 16, dreaming of competing in the equestrian events at Olympic Games. Alas, my beloved horse, Hercules, refused to jump a ground pole, despite being a whopping 17 hands high.
A novel is a marathon, and few of us are genetically blessed to simply get up and run marathons. Most of us, though, can manage a short jog through the park with our dog or kids. That’s the beauty of short stories. They are fast! They are fun! And then… they are DONE!
Seven Reasons to Write Short Stories:
We’ll read stories, write stories, and practice offering and receiving feedback in a structured, helpful way. By the end of the four weeks, you’ll have three short stories ready to submit… or as I like to call it, throw spaghetti at the wall! You never know what will stick.
A writer’s “voice” is a difficult thing to explain but you know it when you hear it / read it. Compare the voices of Jane Austen, Anh Do, Liane Moriarty and James Herriot: all of them are very distinctive. They’re the kind of voices you might guess easily if you started a new book with no author name on the jacket.
So what is it?
The voice is the way the words are constructed (syntax). It’s the words that are chosen or left out. It’s the tone, it’s the style, it’s the dialogue, it’s the humour (or not), it’s the spareness or the abundance of words, it’s the details that are fixated on or overlooked. It’s the content, too. It’s the themes, pace, punctuation, familiarity or formality, local/regional dialect and so much more.
It’s very much about authenticity. It’s also a big part of your ‘band’; it’s that thing that will shape your reading audience (draw people to you or not). A consistent voice allows a reader to trust you and relax into a story with a feeling of trust in you. Your subject matter can change, of course, but your voice will carry through across the body of your work.
The voice is the thing that makes you the writer YOU are and it takes time to develop. You find it by writing a lot of words. Short stories are a perfect place to practise your voice. Your voice might change over time, even after you’re published, and that is normal too, though it would be unusual, I think, to have vast variation in voice. But if that was the case, you would probably choose to write under a different pen name so as not to alienate your dedicated audience.
These days, I have a pretty good instinct about when I have slipped out of my voice, when the words just aren’t hitting the page in a very ‘Jo Moon’ way. The voice is the thing I’ve come to trust, even if it’s taking me to places in the story that scare me. I’ve come to know that if I follow my voice, I’ll be okay.
Dear (as yet) unpublished writers,
I realised recently that this year it is has been 20 years since I declared I wanted to be a full-time career author. Twenty years! That might have made me feel the teensiest bit old.
(Do you know what else made me feel old recently? My six-year-old came home from school and told me he’d joined the junior choir and they were learning John Mayer’s song, Waiting on the the World to Change. I was thrilled. When I was six years old, I also joined the junior choir and do you know what was the first song I was taught? God Save the Queen!!! I’m not even joking. The second song was Advance Australia Fair. Yep.)
Anyway, back to the writing thing…
I still remember that moment well. It was 1999 and I was in my first year teaching. I had gone to a weekend workshop with the Queensland Writers Centre. I was so inspired that I had a ‘full body moment’ where I decided this is it. This was what I wanted to do for the rest of my life. I wish I could remember who the teacher was that day. Clearly, she was so inspirational that she changed my life.
I’ve been writing ever since, short stories, poetry, flash fiction, contemporary novels, kids books, non-fiction, newspaper and magazine articles, online articles. Not all of it has been published. Not all of it is good. Most of it didn’t make any money. Sometimes it was exhilarating and sometimes heartbreaking. I made friends, a community. I won some prizes, was shortlisted for some, and on one memorable occasion was ranked in the last (i.e. considered ‘worst’) twenty-five per cent of entries.
It all changed in 2012 when I was signed by an agent. My first book, The Tea Chest, was published in 2014, but it was actually the tenth full-length manuscript I had written.
Sometimes, you’ll hear about a writer who just decided to write a book and it got published. If you’ve been slogging away for years and years at your craft, this can be deflating. But everyone’s journey is so different. A writer might publish one book and never publish another ever again. Another writer might publish a book and it’s a runaway hit, only to never have another book live up to the first one’s sale ever again. Another writer might write twenty books and make the same amount of money as the one with the mega hit, just over a longer time period. Another writer will start with modest sales and then build, and build and build.
There’s still time and space for you too. Perhaps you just haven’t truly found ‘your voice’ yet–that important but difficult to describe quality to your work. Perhaps you’re just not writing in the genre that’s right for you yet. Perhaps the timing of the market just isn’t there to support your work yet. Yet. Most writers I know slogged it out for years before they were published. You’re definitely not alone.
This year, I am blessed to have two books hitting the shelves (fiction, with The Gift of Life in April, and non-fiction with Buddhism for Meat Eaters in July), bringing my list of published books to seven. Seven doesn’t sound like a lot, I know. But writing is a slow game, a long game, and you’re going to need stamina to turn it into a career. There’s no one path to publication and no guarantees of outcomes after publication. It’s a game of luck as much as skill. The thing that keeps you going, the thing that must be there to keep you going, is passion. You write because you have to. You write for love. You write for the bliss moment, the moment when the real world falls away and it’s just you racing to keep up with the story your characters are telling. There is no other way.
Write on!