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Jo, Take Off Your Pants

The other day Rachel Bailey looked at me and said, ‘Jo, take off your pants.’

And to be honest, I was having the kind of week where I barely batted an eyelid at that.

This post is AN ALMIGHTY CELEBRATION OF My WRITING COMMUNITY (the importance of which is the very FIRST THING I teach all my writing students in all my classes.) You see, Rachel is not only a wildly clever, witty and talented writer, but the woman I refer to as “the godmother of writers on the Sunshine Coast”, and one of the best human beings you will find on the planet… which brings me to the marshmallows.

May be an image of dessert and tofu

You see, I had just rocked up to Rachel’s house (with very little notice) in a bit of a ‘state’. And as I emerged from the car—thirsty, hungry, incoherently exhausted, and carrying a bag of cat litter half my size, I discovered that I also had a marshmallow smeared and stuck to my bum. How? Why?!?! No idea. But stuck it was, clinging to my jeans (and the car seat) like a cranky old barnacle.

Rachel calmly ushered me inside and said, ‘Jo, take off your pants and give them to me.’ She then fetched me some lovely soft corduroy pants to cover my blindly white legs while I greeted my feline fur babies (Rachel’s their ‘bonus mum’) and plied me with tea, fed me biscuits and let me pick her PhD-laden brains about writing techniques, all while she took to my marshmallow-ed pants with the enthusiasm and tenacity of an 18th-century washer woman who would not be defeated.

The majority of the people in my life today are here via books/writing and it’s a precious, beautiful, expansive gift. And, you, Rachel Bailey, mean so much to SO many humans and animals, and I am so glad (and LUCKY) that you found me floating around on the Sunshine Coast as a fledgling author so many years ago and brought me into your nest, and continue to, even when I arrive dragging in my sticky, marshmallow-ed arse (and then repay you by accidentally stealing your phone and taking 3 hours to work out that the photo of Bobby dog is not on my screen due to photo rotations but because it’s not MY phone at all!) Here’s to you, you enormous, shiny ball of light!

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I have a retreat hangover

This weekend, I got to spend it doing one of the things I love most in the world – writing retreat! There quite simply isn’t anything that compares. What writers crave, more than anything, is (usually) time – but not just any time. Most of us are well skilled at writing in the car while our kid plays soccer, or getting up early to bash out a few hundred words before breakfast, or writing on the train. We pull these scraps of time together week after week, year after year. And we get things done.

What we yearn for, though, is a long stretch of uninterrupted time, the kind of time that has no alarm going off at the end of it to remind us to go do the school run or get to the next appointment. In these long, quiet, non-managed spaces, our brains run free into directions they don’t normally get to go. It is the gift of finishing an hour’s work at the keyboard, then getting up to make a cup of tea and being able to allow our imagination to continue wandering, gathering, solving and birthing new work. We can return to it, again and again. We don’t have to solve the Maths homework, or the electricity bill that just arrived, or find a way to entertain the dog when it’s pouring rain. We can just be.

The one thing that make retreats even better is good company. Gosh, I was blessed with brilliant retreat partners this weekend. We laughed, we slept, we ate, we drank tea, we rambled in nature, we wrote by hand, and on keyboard, we wrote alone and in company. We ate a heap of chocolate. (And fluffy socks are a must-have item.)

Post retreat, there is always sadness. A yearning to go back to the magical world. But I know that the only thing that can cure a writing retreat hangover, is to book another one. And book it, you must! Because we are too good at making excuses not to prioritise our writing, not to honour the story waiting to come through us, not to invest in ourselves. Book it in while you still have the feeling with you – the real feeling, the one you should lean into, not away from.

If you are interested in hearing about the next retreat, let me know and I’ll pop you on the list for updates.

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Orion Kelly and I Sat Down for a Chat

I had a great chat with YouTube star, Orion Kelly (That Autistic Guy), about what terrible travellers we are, late autism diagnosis, writing neurodivergent characters, planting seeds of change through The Arts… and more! You can watch it now and marvel (as I do) at how much I talk with my hands… 🙂

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Leonie Dawson in The Hot Seat

Catch-up TV. Have you met or heard of Leonie Dawson? She’s a local (to me!) Sunshine Coast creative and wealth-creation entrepreneur who makes her living working just 10 hours a week. True story! She’s a spicy, generous, big-hearted, swear-bear soul who gives away loads of her knowledge for free and rest for not much at all! I’ve been a big fan girl for over a decade now and was thrilled to sit down for a good old chat about her perennially popular ‘My Brilliant Year’ workbook (but it’s actually fun). She did want me to give you a language warning, though, just so you’re prepared 😍😆💗 She’s one of a kind and that’s why her fans love her. Buckle up 😉

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The Official Unboxing (Kind of) of The Wonderful Thing About Phoenix Rose

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More Reasons You Might Need a Manuscript Appraisal

Following on from my last post here are even more reasons you might need a manuscript appraisal.

Oh… I Feel This!

I wrote 10 manuscripts in 12 years before I got a contract. During that
time, I won short story competitions, I wrote freelance, I was shortlisted for
two publishing awards, I had agents request my work and then reject it. I was
scammed by dodgy publishers with dodgy contracts. I was scammed by writing
competitions (that then publish your work and then sell the work back to you).
My spreadsheet of rejections hit 100 (and then I deleted it in disgust). (Oh,
and I had been working full time, part time, casually, in my own business,
running a charity and while pregnant.) I had reached the end of my
tether.
It took just one final piece to get me over the line. For you,
that final piece might be a manuscript assessment.

The pain!

Even published authors sometimes need manuscript assessments!
I mentioned above that I once had to ditch 50,000 words of a novel. A novel
that was on contract. With a deadline. I knew ‘something’ wasn’t right. This
was going to be my fourth contracted novel, so it was surprising when I
realised I was absolutely stuck. I paid for a manuscript assessment with
my favourite editor, who I trust, completely. And like a really good editor,
she didn’t tell me what to do. Instead, she asked questions and made astute
observations and in reading her report I knew I had to abandon
that manuscript. (There is a happy ending to this story, which I will share
with you when we begin work together.)

Listen to That Voice

So you just read that bit above where I had to ditch 50,000 words, right? If
I had listened to my inner voice, my gut feeling, just a little bit earlier
,
I might not have had to lose so much time, energy, and spinal integrity while
sitting in a chair, working on something that was built on shifting sands.

This is why I’m here to help, with your manuscript, be it fiction, non-fiction, novel or memoir 🙂

You can find the Manuscript Appraisal Booking Page Here.

Jo

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What is A Writer’s “Voice”?

A writer’s “voice” is a difficult thing to explain but you know it when you hear it / read it. Compare the voices of Jane Austen, Anh Do, Liane Moriarty and James Herriot: all of them are very distinctive. They’re the kind of voices you might guess easily if you started a new book with no author name on the jacket. 

So what is it?

The voice is the way the words are constructed (syntax). It’s the words that are chosen or left out. It’s the tone, it’s the style, it’s the dialogue, it’s the humour (or not), it’s the spareness or the abundance of words, it’s the details that are fixated on or overlooked. It’s the content, too. It’s the themes, pace, punctuation, familiarity or formality, local/regional dialect and so much more.

It’s very much about authenticity. It’s also a big part of your ‘band’; it’s that thing that will shape your reading audience (draw people to you or not). A consistent voice allows a reader to trust you and relax into a story with a feeling of trust in you. Your subject matter can change, of course, but your voice will carry through across the body of your work.

The voice is the thing that makes you the writer YOU are and it takes time to develop. You find it by writing a lot of words. Short stories are a perfect place to practise your voice. Your voice might change over time, even after you’re published, and that is normal too, though it would be unusual, I think, to have vast variation in voice. But if that was the case, you would probably choose to write under a different pen name so as not to alienate your dedicated audience.

These days, I have a pretty good instinct about when I have slipped out of my voice, when the words just aren’t hitting the page in a very ‘Jo Moon’ way. The voice is the thing I’ve come to trust, even if it’s taking me to places in the story that scare me. I’ve come to know that if I follow my voice, I’ll be okay.

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The Gift of Life, Australian Book Tour

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It’s now just three weeks until The Gift of Life is released into the world! I’m thrilled to share I have a bumper book tour happening and will be getting around to Qld, NSW, Vic, Tas, and SA! All the details are listed on the Contact Me/Events page, but here is a list of what’s there so far. Plans are still being pinned down in the background so there may yet be more added but I do hope I get to see you on the road soon!

 

The Gift of Life, Book Tour Dates

Please check back often as this information is updating.

Queensland

Saturday 30 March 2019

Big W, Maroochydore, time to be confirmed

Tuesday 2 April 2019:

A Morning with Josephine Moon at Bribie Island Library, 10-11am

Bribie Island Library, 1 Welsby Parade, Bongaree, QLD, Australia, 4507

Tuesday 2 April:

An Evening with Josephine Moon at Chermside Library, 6-7pm

Chermside Library, 375 Hamilton Road Chermside, QLD 4032

 

Wednesday 3 April 2019

An Afternoon with Josephine Moon at Garden City Library, 1-2pm

Address:
Garden City Library
Garden City Shopping Centre
Cnr Logan and Kessels Rds
Upper Mt Gravatt
QLD 4122

Queensland Workshops

Saturday 4 May, 10am-3pm, Twelfth Night Theatre, Brisbane

Workshop 1: Bringing Your Ideas to Life. How do you find ideas for stories and what do you do with them once you find them? Josephine will guide you through the process of discovering ideas for stories, accessing research and resources, breathing life into words, and then pulling them into some sort of order to get them onto the page. She’ll also help you to work out what sort of writer you might be, which will help you know what to do with your ideas. She’ll cover different types of structure to suit different outcomes and foundational skills in the requirements of a good story.

For more info and bookings, CLICK HERE.

Sunday 5 May, 10am-3pm, Twelfth Night Theatre, Brisbane

Workshop 2: How to Write a Bestselling Novel. There isn’t one single way to write a bestseller but there are definitely common elements you can learn. Bring your idea for a novel and Josephine will show you how to plot it out to keep the pages turning, build strong characters and guide you through the foundations of self-editing. This interactive day will see you leave with a bounty of information to set you up for success.

For more info and bookings, CLICK HERE.

 

New South Wales

Thursday 4 April 

11am – 12 pm Morning Tea with Josephine Moon at Berkelouw Mona Vale

Address: 12-14 Park Street, Mona Vale, NSW

6.30-7.30pm An Evening with Josephine Moon at Sutherland Library

Sutherland Library
Address: 30-36 Belmont Street, Sutherland, NSW, Australia, 2232Friday 5th April,2.30 – 3.30pm, An event with Josephine Moon at Camden Library

Camden Library

 

Tasmania

Saturday 6 April 2019

 

A Morning with Josephine Moon at Hobart Library, 11am-12pm

Venue Details:
Hobart LINC
Address: 91 Murray Street, Hobart, TAS, Australia, 7000 Contact: Leisha Owen

 

Victoria

Tuesday 7 May 2019

 

An Afternoon with Josephine Moon at Mornington Peninsula Libraries, 2-3pm

Mornington Peninsula Libraries
Address: 21 Marine Parade, Hastings, VIC, Australia, 3915 Contact: Gail Higgins

 

Tuesday 7 May, 2019

An Evening with Josephine Moon at Bunjil Place Library, 7-8pm

Bunji Place Library
Address: Bunjil Place, Patrick Northeast Drive, Narre Warren, VIC, Australia, 3805

 

South Australia

Wednesday 8 May, 2019, 6-7pm, An Evening with Josephine Moon at Noarlunga Library

Hannah Road, Noarlunga Centre, SA

 

Thursday 9 May, 2019, 1.30-3.30p, An Afternoon with Josephine Moon at Auchendarroch House

Auchendarroch House, 17 Adelaide Rd, Mt Barker, SA

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Researching The Gift of Life: Watching a Heart Transplant to Finding the Silent Story

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Research is my happy place. I do extensive research for every book I write and it’s where I learn not just technical information but also start to find my character development, settings and plot points too. I get to travel within Australian and overseas for location research, which is a great gift. I interview people, spend hours on the internet, watch loads of YouTube videos and, inevitably, buy a lot of reference books. It is the phase where anything is still possible, ideas are still forming and excitement takes me back again and again for more.

My forthcoming novel, The Gift of Life, is based around organ donation, specifically, heart transplants. I love anatomy (I studied it for two semesters) and Biology was also my strongest subject at school and I then did another semester of it at uni. As a result, I loved brushing up on all my anatomy and physiology and researching the many causes and treatments of heart failure, some of which lead to the need for an organ donation. I even ended up at the cardiologist myself, as I have a long history of arrhythmias and, as I found out in my research, these can lead to heart failure! (Fortunately for me, the type I have appear to be uncomplicated.) My husband, too, also ended up at the cardiologist, then my mum went… It seemed like every time I turned around, ‘hearts’ were the theme of the day.  One thing I learned through all this research was that we are all vulnerable to heart issues, which can come with a long list of complications, which can also lead to a need for a transplant. I really had no idea how common it was.

The amount of personal testimony I came across (both from the point of view of a heart transplant recipient and also from the family of those who had consented to the donation of their loved one’s organs) is significantly higher coming from the USA than it is Australia. This was both tricky–because the USA medical and legal systems are very different to ours–and also an opportunity to hear different experiences and voices from those who’ve gone through the process.

There is a wealth of videos on YouTube and I even came across one that showed a heart transplant operation. That one was a little tough to stomach, to be honest!

I interviewed two Australian heart transplant recipients, which was a fabulous opportunity to hear their stories firsthand. They were both very different people–he a middle-aged man with a wife, children and career–and she a young woman in her twenties with a long life ahead if only she could get the chance. Their experience of the process was vastly different too. The organ transplant process is a gamble at every stage: the illness, the waiting period, the operation, the recovery, the chances of rejection and ongoing complications.

In the end, I had way more information than I could use in the book, which is normal. The Gift of Life starts two years after Gabby McPhee had her heart transplant; therefore much of what I learned about the difficult, emotional waiting stage (and the ongoing physical rehabilitation and care through that period) had to be cut and left out; however, it’s all there in my mind, forming the basis to the background of Gabby’s psyche.

I also became really interested in the more silent half of the story–the experiences of the family members who make the decision to donate. These stories are harder to find, and understandably so, as their experience is rooted in trauma, shock and grief. But as a writer, that ‘silent space’ is the most interesting to me. The possibility of a new, untold story is the one I want to follow. The wealth of information I found on the other side (the recipient’s stories) served to highlight a gap in the narrative that, when voiced through the character of Krystal Arthur, fleshed out the full circle of life.

I loved researching this book. It was utterly fascinating from beginning to end.

 

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Win a Manuscript Assessment with Publisher Annette Barlow

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Our third and final generous Australian publisher who has donated her time to raise funds for Buy a Bale and help an aspiring or emerging writer at the same time is none other than Annette Barlow from Allen & Unwin. Here is some information about Annette and what she is offering.

If you have been working on a manuscript and want the chance to win first class feedback and maybe even find your work in front of the right people who can make your dream come true, then make sure you keep following along and bid, bid, bid to win Annette’s attention!

Annette’s offer will be on eBay in the THIRD round of auctions, starting 19 October, 6pm.

Welcome, Annette!

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Bio: Annette has worked at Allen & Unwin as an editor and a publisher for over 25 years. She includes many wonderful fiction writers on her list, for example, Kate Morton, Kirsty Manning, Alex Miller, Louise Allan, Julian Leatherdale, Holly Throsby, Fleur McDonald, Tony Jones and Karly Lane. Annette teaches at Faber Academy at A&U and is in charge of the annual Australian/Vogel’s Literary Award.

Why are you excited to do this? Jo’s desire to support Australia’s farmers spurred me on into thinking what concrete action I could take. I’m very happy to offer my skills in this way.

Genres: I look forward to reading chapters of commercial, literary, rural or contemporary fiction but fantasy, sci-fi, and YA are not my areas.

Submission length: Please send 3 chapters (max 50 pages) and a synopsis.

Communication: Phone and/or email

Reply time: within a month of receiving pages

Auction reserve: $390

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Interested? Of course you are! Stay tuned by following me on Facebook, Twitter or here on this blog to make sure you get all the news in the lead up to this exciting event!

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AUTHORS FOR FARMERS is an initiative by Australian author Josephine Moon (www.josephinemoon.com) to band together fellow authors from around the country to help with drought relief fundraising for Australian farmers. All money raised goes to BUY A BALE (registered charity, http://www.buyabale.com.au).

(Please note: Ebay charges fees for using its platform and these will be will be deducted from the total donation amount at the end.)