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Getting published: There’s no reason it can’t be you

In February 2009, QWC published an article I wrote called ‘The Power of the Positive’ in their WQ magazine, and I’m betting more than a few people thought I was a little nutty and ‘woo woo’. 

I started off by saying, “It seems to me that there can be a tendency in writing circles to dramatise the negatives… the main message is all about how difficult writing is, how it’s nearly impossible for a first-time writer to get published, how the annual salary for full-time writers in Australia is ridiculously low, how you ‘shouldn’t give up the day job’, how you ‘shouldn’t get your hopes up’, how everything is so competitive and how the slush pile is so high and the editor’s time is so short.”

 
Sound familiar?
 
An excerpt from my article, 'The Power of the Positive'
An excerpt from my article, ‘The Power of the Positive’

The rest of the article goes on to talk about the importance of believing the positive, visualising success, and channeling all that creative energy you have into something useful, rather than something that’s going to tear you down and bring others down with you–incorporating some sports psychology and some new age theory too.

But most importantly, it poses the question, ‘Why can’t it be you?’
 
Now, my first novel, The Tea Chest, has finally made it out into the world. And I am living proof that you can rise above all that negativity out there that will shoot down your dreams before they’ve even started. I’m not saying it’s easy to face more than a decade of writing books (10 manuscripts in 12 years for me before I got a publishing deal) and literally hundreds of rejections. It’s emotionally hard going when you’ve put your soul into a piece of art that other people criticise. And then it just sits silently and invisibly on your laptop with no where to go (which is why I’ve turned some of my manuscripts into books via http://www.lulu.com, just so I could see the completion of the project). 
 
And just for the record, The Tea Chest was submitted to every mentorship program and manuscript development program out there and not picked up.
 
You’ve got to do the work. Of course you do. I guarantee your book won’t get published if you don’t write it. But there is no predetermined expiration date or outcome on this. The sky truly is the limit (or maybe not even then).
 
Having said that, I do actually want to ‘ground’ this notion in a larger philosophy: that of art for art’s sake. Because I’m not saying you WILL achieve all those things you dream of. Sometimes, good work just won’t get published. This is not about bulldozing your way into perceived success via milestones and paycheques. The most important thing of all is to write. Just WRITE. 
 
If you are going to become attached to anything, become attached to being a writer, not to your manuscript. Then you will be able to move on from the wonderful manuscript you’ve worked so hard on for so many years and write a new one, or indeed something else entirely.
 
And just for once, I won’t quote Julia Cameron in The Artist’s Way (I do not work for Julia Cameron or get commission  though the amount I plug her I probably should…), but instead I will quote Australian author, Torre de Roche

Forget the stats, the numbers, the wealth, the prestige, the popularity, the things you imagine to be waiting for you on the other side of ‘success.’ They’re not there, and if they are, they won’t stay long. Instead, work tirelessly to make your soul happy. Keep going until you’re standing before a big, glorious creation made by you, for you. Your baby—made of cells, or paper, or clay, or words. That’s yours.

Be proud. You did it for the simple joy of creating. There is nothing more to life than that.

So don’t quit.” 

What I’m saying here is that we write because we must. We write because it makes us happy. That is why we do it. So do it.

But there is no harm in expecting the best along the way. There is no harm in valuing a financial reward for your art. Imagine your biggest, scariest possibility of whatever you deem to be ‘success’. Got it? Good. File it away somewhere in your heart and mind to revisit at a later date, shrug of the criticisms and the crazy looks you get when you say you’re working on a book (to which someone will instantly say, ‘oh, do you have a publisher?’ and you’ll squirm inside and say, ‘no, not yet’), and go write. It doesn’t matter what anyone else has to say about your ‘chances’ of being published. That’s their reality, not yours. Feel free to invent your own.
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For St Patrick’s Day: A Tale of My Irish Past

Like many Australians, there are a lot of Irish personalities in my family tree history (on both sides). But these two are my favourite. John and Ellen Clare met on the ship from Ireland and fell in love.

John and Ellen Clare met on the ship from Ireland and fell in love
John and Ellen Clare met on the ship from Ireland and fell in love

Their names are John Clare and Ellen O’Laughlin, from County Clare in Ireland. Ellen was young (nineteen or twenty) and John a bit older (around thirty) when they each boarded a ship leaving Ireland for Australia in the late 1800s, seeking a new, more prosperous life. They met on the boat and spent the months that it took for them to reach Australia falling in love. They married in their new country and went on to have nine Catholic babies, one of which was my great-grandmother, Hanora (Nora) Clare. They ran a pub in the town of Toowoomba and by all accounts were a very happy couple. John died first and left Clare to run the pub on her own while bringing up all those children.

Nora Clare went on to marry Edward Jackson, who was from County Armagh in Northern Ireland and unfortunately it wasn’t the love story her mother had. Edward was a heavy drinker and a violent man. Nora and Edward had ten children, one of which was my grandmother, Jean. Jean grew up in the small town of Yarraman in Queensland, a town I lived quite near to until recently, while Alwyn and I resided in Blackbutt for six years. The very same pub that Edward used to frequent in the early 1900s is still there. According to my grandmother, Edward would stumble out of the pub and onto his faithful horse, who then carried him home in the dark and stop at the front gate and whinny for Nora to let them in.

Nora Clare (Jackson), my great grandmother
Nora Clare (Jackson), my great grandmother

Nana moved to Brisbane for work and lived up in the hills of Paddington in a workers cottage, when workers cottages were in fact inhabited by the less fortunate. And it’s in Brisbane that her children were raised.

I went to Ireland in 2003, and truly, the only way I can describe the feeling was like coming home.

I wonder about Clare and John, whether they were excited to leave Ireland or desperately sad, whether they wanted more for themselves once they got to this country or whether they were ecstatic that they got more than anything they’d hoped for. I can’t even imagine taking such a tremendous leap of faith and saying good-bye to my homeland, family, friends and everything I knew for a strange, hot, snake-infested, wild country on the other side of the world, called Australia. I feel so sad for Nora, raising ten children with an alcoholic and violent husband, trying to keep them all safe, living with the terror in her house, and for her daughter, Jean, my grandmother,who was irrevocably changed because of it.

Nana had four children, the first of which was my mother, Geraldine, who had two children with my father, Brian.

They were all so very brave. And I am here because of them, with the good fortune of being able to choose to have just one child, with my red hair and freckly skin. And so is my son, named Flynn (a good Irish name), who demanded potatoes all day, every day while he was renting my womb for nine months. People frequently tell me he looks like a little leprechaun. So the Irish spirit continues in us all.

In honour of the many thousands of Irish men and women who came to Australia, happy St Patrick’s Day.

p.s. Thank you to my mum and my aunt Christine for organising photos for me at the last minute! xx

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Creative Breakthroughs

Creative Breakthroughs: My Writing Room

I had a huge breakthrough this weekend and for me it’s so important that I’m going to continue posting about this topic every so often over the course of the year. It started like this.

IMG_1930Recently, I was invited to submit a photograph and some words about ‘my writing room’ to a UK website. I’ve harboured dreams of a magical, inspiring, nourishing writing room for years. And you may know that I’ve written about my intention to create a wonderful writing room for the past two new year’s resolutions. But I keep failing to achieve my dream.

Now, I’ve dithered about this photo task for weeks (I’ve lost count of how many). And the reason is this: my room isn’t what I want it to be. It’s not finished. I still have an unpainted wall and door, broken and missing glass in the French doors, unpolished floorboards covered by a rug, and the cheapest curtains (for want of a word) I could find as a temporary stop until ‘the real curtains’ arrive.  It’s not pretty enough. I don’t have everything just as I want it. I cannot begin to tell you how much time I’ve spent lying awake, stressed about this task!

I’ve been writing seriously now since 1999 and I still don’t have my dream writing room. But, over that time my writing space has improved. I actually wrote an entire memoir on my laptop in bed at one point because I didn’t have any space just of my own. And this time last year, I had just one corner of a room that was also shared by our senior cat and her kitty litter (so lots of smell and grit underfoot), her frequent deposits of cold vomit on the floor, the baby’s change table and the nappy bin (more smell), and the dirty clothes basket. Life in my writing room has, absolutely, improved.

IMG_1920But I’m still not where I want to be—somewhere in the gypsy cave with silks and lanterns and fairy lights, a desk made of gnarled wood taken from an enchanted forest and carved by elves, magical doorways, couches, cushions, a music player, candles, perfect lighting for day and night, perfect temperature control and aromatherapy. Somewhere peaceful with beautiful scenery. Oh, and somewhere my toddler can’t find me.

And what I’m really saying is my room is not perfect. No wonder I think I keep failing to achieve my dream.

*** And this, my friends, was my breakthrough. ***

Perfection—the deadly word for all creative types. Perfection, the unreachable, the unattainable. The tortuous quest to find the worst in ourselves (not the best).

The excuse to stop.

The excuse to not finish.

The excuse to not enjoy ourselves.

The excuse to hide our creativity from the world.

The excuse to fail.

  

From one recovering perfectionist to another, let me be clear:

PERFECTIONISM IS AN EXCUSE.

But it’s not ready. It’s not finished. It’s not good enough. It’s not what I want it to be!

Excuses. All of them.

Oh, they may be well founded in core beliefs, inherited expectations, fears that pretend to protect us from shame, punishment or embarrassment. But they’re still excuses. And they can sneak up on you and sidle into your mind very quietly and sit there for weeks, months, or years. Just as they did with me, provoking anxiety over my writing room.

But after years of stressing about it, I’ve found freedom.

I now know the reality is this: Creating and decorating my writing room is limited by the structure and size of the room; the fact that we’re still renovating a 113-year-old house and the rest of the house isn’t ‘finished’ yet either; and finances and priorities like, you know, essential plumbing, seven horses to feed and food and bills. There are limits to what I can do and that’s okay. That’s life. In fact, we need limits or we’d lose our minds. It doesn’t mean I have to stop, or have to hide what I’ve done. It’s a work in progress. Nothing in life is ever finished. Nothing. It just changes from one thing to another.

And the lesson here is that this applies to every creative aspect of our life. Everything that seems big and overwhelming can be done by breaking it down into its components. If you want to be an author, you’re going to have to write a book. (Better yet, you’re going to have to write a page, and then another page, and another.) If you want to be an opera singer, you’re going to need to take a lesson. Want a holiday but can’t afford one? Go to the beach for the day. Want a horse but don’t have land? Go to a riding centre and ride for a day. Want to change the colour of the walls in your bedroom? You might first need to de-clutter the room so you can actually reach the walls.

And if you want the perfect writing room? Start with the perfect potted plant… which I did, this weekend, by the way. Isn’t it lovely? And I bought a lamp, too. Just two things for my writing-room-in-progress. And I can’t tell you how much joy that fern and that lamp bring me when I walk into the room. The whole space suddenly feels welcoming and nurturing and I want to spend time there.

So, loud and proud, I’m sharing this with you. This is my writing room. Not finished. A work in progress. And it will probably always be a work in progress for the rest of my life. I accept that now. And I am amending my new year’s resolutions from ‘create my perfect writing room’ or ‘fix my writing room’ to ‘continue to nurture my writing room’.

Because nurturing—of ourselves, our family, our careers, our creativity, and our living spaces—is a daily necessity. I will nurture my writing room and in return, my writing room will nurture me.

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GenreCon Wrap-up

gc-2013-web-banner

I was at GenreCon in Brisbane on the weekend, just for a day on account of my young child, and sadly missed out on the cocktails and karaoke, which were responsible for a number of red eyes on the Saturday. I was in a bit of a state myself, actually, having just lost my beloved Golden Retriever, Goldie, and I had several vague conversations with people, where words simply would not make their way from my brain to my mouth. Apologies if you were on the receiving end of one of these uncomfortable conversations.

Here are the highlights from that day, during the moments I was actually engaged with life.

  • Chuck Wendig was a special guest at a session on planning and prioritising writing around the complications of life and gave a hilarious account of what it’s like to have multiple book contracts and a toddler running around while trying to work, something I can empathise with wholeheartedly. Gracie Macgregor was also a guest there and equally funny in her accounts of writing and motherhood.
  • It is always delightful to chat to the lovely and funny, Anna Campbell, who managed to cheer me up for a few minutes. Thanks, Anna.
  • I caught up with a former work colleague, a fellow editor where I worked at John Wiley & Sons, Victoria Steele, and her friend, romance writer, Christina Brooke.
  • The food. Can I just say how amazing the food was at GenreCon? Seriously. Great job.
  • I sat in on a workshop with Damon Cavalchini on preparing for reading from my book, The Tea Chest (out in April 2014). I picked up some great tips, including thinking about what I would do if it suddenly began to rain on me in the middle of my reading (has anyone created an Iddy-Biddy-Book-Umbrella?), and also, the benefit of having my own source of light, such as a book light.
  • And it’s always a delight to hear Kimberley Freeman (Dr Kim Wilkins) speak on all topics related to writing.

 

Well done to Meg Vann and Peter M Ball for organising such a great event. I look forward to staying for the festivities next year too.

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Delighting in Sensual Joys to Nourish the Brain

I had a full body creative light bulb moment yesterday.

small thingsI found the most heavenly store on the weekend, Simple Things Small Joys in Cabarlah in Qld. This was most definitely MY kind of store, which I proved by walking out with French linen cushions with feather inserts, hand-made olive soap balls, French country quilts and a few other cute knick knacks. Simple Things Small Joys is in the loft space above Black Forest Hill, boasting Australia’s largest display of German cuckoo clocks and grandfather clocks. Black Forest Hill is easily spotted from the New England Highway, around 20 minutes outside Toowoomba, and is a great little spot to visit anyway.

Simple Things Small Joys is filled with all the things I love but so rarely ever invest in because I am ‘too sensible’. Why would I buy a French country styled quilt when I don’t actually need one? The answer, as I am slowly coming to accept, is because I love it and it brings me joy.

We are currently working through a massive renovation of a 100-year-old Queensland workers cottage on the Sunshine Coast and, truly, it would almost have been easier to build a new one from scratch. But what it means is that we get to start again, find a new style we love, a consistent, nurturing, beautiful style. French country. It’s what makes our hearts sing.

I recently started meditating again (and realised the last time I did so was the night before my baby was born and therefore more than 10 months ago!). And I started with a small (sixteen minutes) daily themed meditation program put together by Oprah and Deepak Chopra. Well, one of the themes for the day focused on your external environment. Yes, I think we all know by now that clutter has a negative impact on our psyche, but what I really got out of that meditation was Deepak’s explanation that surrounding ourselves with the sights, sounds, smells and textures of things that bring us joy actually nourishes our brains. And your brain can’t work very well if you don’t nurture it.

small things2Big. Lightbulb. Moment. I could instantly see the metaphor of beauty as food for our brain. We all know we need to eat well in order to function at our best and what our brain is crying out for is its own version of food. You couldn’t expect your car to run without petrol. You couldn’t expect to live without eating. Yet so often we expect our brains to work doing the millions of things it does every hour of the day without giving it what it needs. Joy. Love. Stimulation. Sensory input. And of course, if you’re familiar with Julia Cameron (I know, I know, I bang on about her all the time, but seriously, she’s brilliant) you’ll know that your inner artist needs these things too.

I’m also coming to accept that I’m a bona fide artist now. You know, with a paid writing gig. So it’s actually imperative that I stock the well with creative goodness if I expect my brain to expel some of that onto the page.

So when I found the gorgeous Simple Things Small Joys on the weekend, I faffed around thinking, oh I’ll just buy a soap, for about half an hour before coming to the realisation. Why am I buying soap when what my heart and brain really want is the linen? It’s a bit like craving a chocolate, and you think, oh but I don’t need the chocolate. I’ll just go and eat a banana, and a biscuit, and a pizza, and a glass of wine… and a million calories later you still want the chocolate so you eat it too. Just eat the chocolate! Or in my case, buy the linen. So I did. And I love it 🙂small things charms

If you get a chance (and you’re into this kind of thing), I can’t recommend highly enough a visit to Angela Oament at Simple Things Small Joys. You won’t be disappointed!

(And no, I didn’t get paid to say that. I just like to share the joy!)

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The Creative Life Balancing Act

Bubbalicious 'helping' me
Bubbalicious ‘helping’ me

This is my library research assistant, the adorable Bubbalicious.

It’s often said that writing is a child-friendly career. True. But I’m not sure children are a writer-friendly addition 🙂

This is an interesting year for me as I work to find a new way of writing. A new timetable. A new head space. A totally new process. Listening to my body in a whole new way.

It’s taken me a long time to accept that I might need some help. But my Hubbalicious has been consistently working towards finding ways to support my career (and meet my next book deadline) while we maintain our wish to be hands-on, full-time parents. One thing we’ve realised is that I do need sustained, uninterrupted writing time. And that might mean I have to leave the house for a weekend every couple of months to get that. As well, I need at least three or four hours straight in a day to really get into my work.

So today is a new day. After much resistance (maternal angst, guilt, working-mother research assistant2_anxiety), I have embraced the addition of my lovely friend, Katrina, who lives locally and who has known Little Man his whole life. (And is also the greatest aunty to our dogs and cats when we’re away.) Everyone in this family loves Katrina. And today she’ll be joining us three days a week, for four hours a day, at home to help look after our Little Man and allow me some space to work. And I’m okay with that. Finally.

Really. Right now, I’m in my office while the sound of Katrina’s voice and squeaking toys from the other end of the house lets me know my bubba man is okay. Not just okay; he’s having fun. And that’s okay because I just need to remind myself to breathe and know there’ll be more times a plenty when I get to have my little research assistant back again.

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Take Your Baby (or Dog) to Work Day

I love being self-employed. My boss can be a really hard taskmaster. And we don’t always get on. But one thing I love about her is that she let’s me take my baby and dogs (and cats and horses and sometimes my husband) to work.

That’s ‘Write On’ I reckon 🙂

baby at work2

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A Writer’s New Year Resolutions

Back to work for me today and I’m thinking about my resolutions as a writer (and reader).

1. I’m not going to read anything I’m not LOVING.

I shudder with the memory of reading this book. No more! Books I love only!
I shudder with the memory of reading this book. No more! Books I love only!

I am a slow reader so I invest a considerable amount of time in a book. All too often, I have kept plodding through a book I didn’t love because (a) I paid for it; (b) I was convinced it must get better; (c) I made a compromise with myself and thought, hey, maybe I’ll learn something from this; or (d) because I am just plain stubborn and like to see things through.

Well, NO MORE. Life it too short and my reading time too precious to be bogged down in something I’m not loving one hundred per cent. Gone are the days when I had to read something (for university, for example). I’m sure I’ve never quite recovered from the torment of reading Joseph Conrad’s Heart of Darkness.

2. I’m going to put my writing first.

I’ve spent years writing books and all too often the practice of writing has had to take a backseat to something else–other people, running a horse rescue charity, having a ‘real’ job and making money, and stupid things like housework.

Well, NO MORE. This year, things got serious. This year, I will no longer be a starving artist. This year, I have a job. A REAL job. As a writer. How great is that? 🙂

3. I’m going to decorate my writing room.

This is something I think about doing each year, but never seem to get around to.

Well, NO MORE. This year, I’ll have pictures. Lanterns. Props. Maps. Wall planners. Flowers. Silk. And tissues at hand to mop up the drool from the cat purring in my lap.

So today I take my new year’s resolutions and march forward into a wonderous year of writing. Happy authoring one and all!

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It’s a hard life, but someone has to do it

I love research. And when it’s about food, even better.

Living the writer’s dream for me is about delving into subjects I’m interested in and absorbing a mass of information and, preferably, sensory experience. And it really doesn’t get any better than researching one of the greatest things on earth: chocolate.

chilli ganache

Chocolate features heavily in my next book and this weekend just gone my lovely (and exceptionally talented) sister and I headed into Brisbane for an afternoon of making chocolates and ganaches by hand. I have to say, though, that they worked us extremely hard. Amanda and I thought we might have a fun afternoon indulging in chocolate. Not so much. More like five hours on our feet, with no breaks, no chairs and (gasp!!!) no coffee!!! I felt like a galley slave.

But I am really glad I went. I learnt many a savvy chocolate making skill for my main

Litres of Belgium chocolate

Belgium chocolate ganaches

character to use in her story. And during the two-and-a-half hour drive home I came up with my top line novel plot.

Not a bad day’s work. Not bad at all.