Yes, it’s true! You can claim your spot in this year’s Write Your Novel cohort AND you can bring a friend for FREE!
Share the cost, or gift the whole thing to friend, or divvy it up like a lob-sided pizza share… whatever works for you.
WHY AM I GIVING AWAY FREE PLACES?!
Well, a few reasons:
Life is just better with friends by your side! (It’s entirely possible that I might still be a little bit giddy with joy after making friendship bracelets this weekend just gone while celebrating the release of Millie and Stella.)
I ran a “Bring a Friend for Free” promotion for my Summer of Short Stories workshop earlier this year and it made people happy (which makes me happy). Also, I saw two of those people at this weekend’s release celebrations and it reminded me, again, of how lovely it is when we get to help others feel happy!
Forming writing buddies, sacred circles (more about that in The Artist’s Way course) and accountability to other people is a BIG part of being able to sustain a writing practice. You’ll likely form connections even if you join in the course by yourself, but again, it always helps to have a buddy by your side for that extra bit of courage and persistence.
So how about it? Got a friend, sister, brother, neighbour, parent, grown-up child, cousin, work buddy or exceptionally clever talking parrot? Go ahead, make their day! Invite them to join in and let’s help you to Write Your Novel this year.
All you have to do is sign up for yourself, then email me with your buddy’s full name and email address and we’ll be on our way.
Early bird registrations close midnight tonight, 30 November, 2024 (AEST).
Start your new year on the write foot. Join the fast and the furious in the four-week short story writing course. Finish the month with three short stories to pitch or enter into competitions.
Then, follow on with Write Your Novel. Over six months, we’ll coax that story out of your head and onto the page.
Q. What’s the biggest mistake I see aspiring writers make?
A. They jump straight to writing a novel without first mastering the art of the short story. That’s like me at 16, dreaming of competing in the equestrian events at Olympic Games. Alas, my beloved horse, Hercules, refused to jump a ground pole, despite being a whopping 17 hands high.
A novel is a marathon, and few of us are genetically blessed to simply get up and run marathons. Most of us, though, can manage a short jog through the park with our dog or kids. That’s the beauty of short stories. They are fast! They are fun! And then… they are DONE!
Seven Reasons to Write Short Stories:
You can practice writing in different genres, points of view, tenses, and about different topics for minimal effort. Most importantly, it helps you learn to find and strengthen your “voice”. Your voice is unique to you and it’s often the thing that secures you fans for life.
You can take risks! Ooo, this is such a good one! For your writing to grow and mature, you’re going to need to take risks. You need to find the boundaries of your comfort zone. Short stories let you try before you buy.
Log your ‘apprenticeship’ writing hours before you commit to a full novel.
Cultivate a habit of writing, editing, writing, and then…. letting go! Writers are often fearful of letting go of their work, afraid of the criticism or perceived failure. This is where short stories matter. You can invest a small amount of effort, submit it, and be like Elsa and let it go. We have to learn to write, let go, and start something new while we’re waiting for feedback.
Learn to write to deadline. Short stories can be written in a day, or a week. Then… it’s done! Submit it, and move on.
Ask for feedback. Truth? Few people will willingly and joyfully read your full novel manuscript and give you helpful feedback. You’re more likely to find short story readers who can finish by the time they’ve swilled their coffee.
Youmight actually win a competition! Not only is this is a fantastic feeling of recognition and affirmation, these wins or placings build your writer’s CV.
We’ll read stories, write stories, and practice offering and receiving feedback in a structured, helpful way. By the end of the four weeks, you’ll have three short stories ready to submit… or as I like to call it, throw spaghetti at the wall! You never know what will stick.
I have teamed up with best-selling author Rachel Bailey to create The Writers Emporium, a collaboration focused on bringing high-quality professional writing development workshops, retreats and training here to the beautiful Sunshine Coast.
We will be kicking off 2020 with a two-day event from 8-9th February called the Sunshine Writing Lab. We’ve called it a ‘lab’ because we want you to get your fingers into your work! Our point of difference is that we are so committed to bringing you value in our programs that we are running two streams of training alongside each other across both days. This gives us the flexibility to provide quality opportunities to writers of all stages, from beginners through to those more advanced. You can choose from formal workshops, one-on-on session with either Rachel or myself, or small group sessions (three people maximum). The power is in your hands.
If you’re interstate, no worries! Our location at The Sebel hotel in Maroochydore is just minutes from the Sunshine Coast airport so you can fly in and fly out again and stay at the hotel with the discounted room rate.
Rachel and I both love teaching and we’re so excited to join forces to help you reach your writing dreams.
How do you find ideas for stories, and what do you do with them once you have them? How do you write a bestselling novel? This year, I’m delighted to be running two writing workshops in Brisbane in May at Twelfth Night Theatre.
Do you…
Have an idea that’s been hanging around that you’d like to bring to life somehow?
Struggle to find story idea, or have the opposite problem and have too many ideas?
Struggle to work out what format to put your idea into or what to do with it once it’s finished?
Have a burning desire to write a novel?
Have a half-finished (or quarter-finished) novel that you need some help to finish?
Want to have fun, feel creative, meet up with other creatives?
Just want to escape the family and the Brisbane heat for a weekend, eat some chocolate and maybe make a new friend?
I can help!
Workshop 1: Bringing Your Ideas to Life. How do you find ideas for stories and what do you do with them once you find them? Josephine will guide you through the process of discovering ideas for stories, accessing research and resources, breathing life into words, and then pulling them into some sort of order to get them onto the page. She’ll also help you to work out what sort of writer you might be, which will help you know what to do with your ideas. She’ll cover different types of structure to suit different outcomes and foundational skills in the requirements of a good story.
Workshop 2: How to Write a Bestselling Novel. There isn’t one single way to write a bestseller but there are definitely common elements you can learn. Bring your idea for a novel and Josephine will show you how to plot it out to keep the pages turning, build strong characters and guide you through the foundations of self-editing. This interactive day will see you leave with a bounty of information to set you up for success.
You can book in for either event or attend both for a discount. As well, I’ll give everyone who comes along a complimentary copy of The Gift of Life to take home!
Writing retreats are, hands down, awesome–so much so, I’d go as far to say they are one of the most important things you can do as a writer.
Just you, the trees, and your book
I’ve been on a number of writing retreats. In fact, the first one I went on, I organised myself by choosing a location, setting a timetable and a structured outcome process (I’m a former teacher; I can’t help it), and inviting people along. Despite an accommodation challenge, it was fantastic. Since then, I’ve come to value retreats in many varied and extended ways and I’ll be writing several posts on this topic this year. So let’s start with finding the right type of retreat for you.
This is what I did for my first retreat. It’s a bit like a school camp except that everyone there is a nerd, just like you. So you can actually revel in your artsy, geeky glory instead of feeling left out. (Or, hey, maybe that’s just me.) The DIY retreat goes something like this:
a bunch of writers agree to go and spend time together in a location suitable for their needs and desired outcomes
you might share accommodation, food, books, notes, and resources
you might choose to delegate everyone a job, such as presentation to the group on some aspect of the craft of writing
you might all like to submit a portion of writing for the group to review prior to the retreat and at the allocated time in your schedule, you have a group critique session. (Most people really dig this part so it’s worthwhile doing.)
you might even approach an author to come and visit you on retreat (or stay with you), pay for their time to teach you some skills and/or give you feedback on your writing.
Who is this for? Writers on a budget; aspiring writers who want to get their feet wet on retreats; those who want to hang out with other writers; writers who want to tailor their own retreat (e.g. handpick an author to come to their retreat).
The Solo Word Count retreat
This is the retreat you take yourself on to GET THINGS DONE. There is only one goal on this retreat: WORDS. Fantastic if you are on a deadline (either self-imposed or contractually obligated), or perhaps when you’re just bursting with a story and dying to get it down but life keeps getting in the way.
The last retreat I took was of this type and I nailed 10,000 words in two-and-a-half days. For me, that’s fabulous. And if I did three retreats a year like that, that would be a third of a first draft of a novel done in just over a week in total. Bam! Words, words, words. A novel can’t exist without words, after all.
Who is this for? Anyone feeling a timeline pressure. (Or extreme introverts who relish days on end in silence with nothing but their own thoughts.)
The Solo Planning and/or Editing retreat
This is similar to the Solo Word Count retreat, except that your goals are different. Rather than a tunnel-vision goal of moving forwards only (word count), the planning and editing phases of writing are a lot more lateral. Spiralling, even. Narrowing in, then pulling outwards again. Reading, then editing. Writing notes, then typing words. Drawing diagrams, and then throwing them away. It takes time and space to do these things well and a retreat is a great way to really get to know your novel.
Who is this for? Writers at the beginning of their project; writers working on subsequent drafts; writers on a deadline to move through the editing phase.
The Lifestyle writing retreat
This could be organised by you, a group of you, or an external party.
I’d say the focus of this type of retreat is sharing communal space with other writers to enjoy spontaneous connection and indulgence of your love and passion for writing. There’ll be plenty of time to write on your own in a nook somewhere, or sitting at the big ol’ dining table with other writers. There might be shared dinners out, time for a massage, or doing some yoga between sessions.
Who is this for? Anyone who’s feeling a bit stuck, disconnected or who has lost the passion and motivation for their project. It’s a big kick start to your creative juices.
The Research retreat
Oh, this is fun. New locations, road trips, plane trips, boat trips, train trips… you get the point. Photography. Note taking. Maps. Historical societies. Interviews with relevant subjects. On-site visits to businesses, farms or families. Collecting knick knacks, feathers, stones or food.
The goal of this retreat is to get as much hard data and/or whimsical feeling for many of elements of your project to take back home with you so you can continue to write your story with new vision.
Who is this for? Writers who are building scenes and stories about places, time, people, careers, history etc. outside of their own world view of the world. Writers who want to kick start a project. Writers who have stalled in a project and need to infuse it with new life.
The ‘it’s all done for you’ retreat
These are retreats offered by writers, editors, associations and so on. They generally pick the location, provide tutors/instructors/mentoring sessions etc. You pay a fee that covers the accommodation and the retreat program. Some will include food in the price, others leave that out. There’ll generally be workshop sessions as well as individual and/or group feedback on a selection of your writing.
Who is this for? Anyone who’d like to spend time with the already established authors and mentors who are running the retreat. Anyone who is time poor and would rather not deal with the logistics of organising a retreat. Anyone who wants to feel safety in numbers.
*** Do any of these types of retreats sound appealing to you? ***
If you want to join me on retreat, I’ll be offering a tutor-led retreat on the Sunshine Coast hinterland in 2015, so email me at josephinemoon [at] live.com.au to let me know you’re interested.
I’m also open to visiting you on your own self-organised retreat. You can email me to chat about that too 🙂
Let’s face it, there isn’t much that’s either romantic or sexy about motherhood. If it’s not the pervasive stains (and odour) of regurgitated formula, or the endless repetition of This Old Man playing knick-knack-paddywhack (what on earth is that anyway?), or the continual sense of chaos in the house, or that you ran out of facial scrub a month ago and keep forgetting to get more, it’s the fact that through sheer exhaustion and the fact that you have five minutes before your baby needs you again that you can’t even manage to wash your hair.
How then does a girl live the writer’s dream and conjure up images of romance and sexiness when the only fantasy she harbours is for four hours (let’s not be greedy) of uninterrupted, deep sleep?
I plan to take my bedraggled self to the Queensland Writers Centre this Sunday for a Masterclass in romance writing with prolific romance author, Anna Campbell. I’m hoping Anna’s expertise can help me contact my inner romantic woman, who is currently helping my characters, Leila and Lucas, strengthen their compelling storyline.
Anna, your timing couldn’t be more perfect. But please know that if I yawn the whole way through your masterclass it has nothing to do with you and everything to do with the littlest man in my life with whom I’m having a romance of an entirely different kind.
