The first of our wonderful Australian authors in this third and final round who has donated her time to raise funds for Buy a Bale and help an aspiring writer at the same time is debut author Louise Allan. Here is some information about Louise and what she is offering.
If you have been working on a manuscript and want the chance to win first class feedback and maybe even find your work in front of the right people who can make your dream come true, then make sure you keep following along and bid, bid, bid to win Louise’s attention!
Louise’s offer will be on eBay in the THIRD round of auctions,starting 19 October, 6pm.
Bio: Louise Allan is a former doctor who turned to writing in her forties. Her first novel, The Sisters’ Song, was published in January 2018 by Allen & Unwin. Louise was awarded the 2018 Tina Kane Emergent Writer Prize at the Mildura Writers Festival and her novel was shortlisted for the 2014 TAG Hungerford Award and awarded a Varuna residential fellowship.
Why are you excited to do this? I like the idea of helping farmers and fellow writers at the same time!
Genres: My preference is for literary, commercial literary, historical and women’s fiction. I also don’t mind a bit of crime.
Submission length: Maximum 25 pages
Communication: Email is probably best and I can use Track Changes.
If the author would like a Q&A session, I’d be happy to chat for an hour face-to-face (if they’re in Perth), or via Skype if elsewhere in Australia.
Reply time: Two weeks
Auction reserve: $99
Interested? Of course you are! Stay tuned by following me on Facebook, Twitter or here on this blog to make sure you get all the news in the lead up to this exciting event!
AUTHORS FOR FARMERS is an initiative by Australian author Josephine Moon (www.josephinemoon.com) to band together fellow authors from around the country to help with drought relief fundraising for Australian farmers. All money raised goes to BUY A BALE (registered charity, http://www.buyabale.com.au).
(Please note: Ebay charges fees for using its platform and these will be will be deducted from the total donation amount at the end.)
Writing retreats are, hands down, awesome–so much so, I’d go as far to say they are one of the most important things you can do as a writer.
I’ve been on a number of writing retreats. In fact, the first one I went on, I organised myself by choosing a location, setting a timetable and a structured outcome process (I’m a former teacher; I can’t help it), and inviting people along. Despite an accommodation challenge, it was fantastic. Since then, I’ve come to value retreats in many varied and extended ways and I’ll be writing several posts on this topic this year. So let’s start with finding the right type of retreat for you.
This is what I did for my first retreat. It’s a bit like a school camp except that everyone there is a nerd, just like you. So you can actually revel in your artsy, geeky glory instead of feeling left out. (Or, hey, maybe that’s just me.) The DIY retreat goes something like this:
a bunch of writers agree to go and spend time together in a location suitable for their needs and desired outcomes
you might share accommodation, food, books, notes, and resources
you might choose to delegate everyone a job, such as presentation to the group on some aspect of the craft of writing
you might all like to submit a portion of writing for the group to review prior to the retreat and at the allocated time in your schedule, you have a group critique session. (Most people really dig this part so it’s worthwhile doing.)
you might even approach an author to come and visit you on retreat (or stay with you), pay for their time to teach you some skills and/or give you feedback on your writing.
Who is this for? Writers on a budget; aspiring writers who want to get their feet wet on retreats; those who want to hang out with other writers; writers who want to tailor their own retreat (e.g. handpick an author to come to their retreat).
The Solo Word Count retreat
This is the retreat you take yourself on to GET THINGS DONE. There is only one goal on this retreat: WORDS. Fantastic if you are on a deadline (either self-imposed or contractually obligated), or perhaps when you’re just bursting with a story and dying to get it down but life keeps getting in the way.
The last retreat I took was of this type and I nailed 10,000 words in two-and-a-half days. For me, that’s fabulous. And if I did three retreats a year like that, that would be a third of a first draft of a novel done in just over a week in total. Bam! Words, words, words. A novel can’t exist without words, after all.
Who is this for? Anyone feeling a timeline pressure. (Or extreme introverts who relish days on end in silence with nothing but their own thoughts.)
The Solo Planning and/or Editing retreat
This is similar to the Solo Word Count retreat, except that your goals are different. Rather than a tunnel-vision goal of moving forwards only (word count), the planning and editing phases of writing are a lot more lateral. Spiralling, even. Narrowing in, then pulling outwards again. Reading, then editing. Writing notes, then typing words. Drawing diagrams, and then throwing them away. It takes time and space to do these things well and a retreat is a great way to really get to know your novel.
Who is this for? Writers at the beginning of their project; writers working on subsequent drafts; writers on a deadline to move through the editing phase.
The Lifestyle writing retreat
This could be organised by you, a group of you, or an external party.
I’d say the focus of this type of retreat is sharing communal space with other writers to enjoy spontaneous connection and indulgence of your love and passion for writing. There’ll be plenty of time to write on your own in a nook somewhere, or sitting at the big ol’ dining table with other writers. There might be shared dinners out, time for a massage, or doing some yoga between sessions.
Who is this for? Anyone who’s feeling a bit stuck, disconnected or who has lost the passion and motivation for their project. It’s a big kick start to your creative juices.
The Research retreat
Oh, this is fun. New locations, road trips, plane trips, boat trips, train trips… you get the point. Photography. Note taking. Maps. Historical societies. Interviews with relevant subjects. On-site visits to businesses, farms or families. Collecting knick knacks, feathers, stones or food.
The goal of this retreat is to get as much hard data and/or whimsical feeling for many of elements of your project to take back home with you so you can continue to write your story with new vision.
Who is this for? Writers who are building scenes and stories about places, time, people, careers, history etc. outside of their own world view of the world. Writers who want to kick start a project. Writers who have stalled in a project and need to infuse it with new life.
The ‘it’s all done for you’ retreat
These are retreats offered by writers, editors, associations and so on. They generally pick the location, provide tutors/instructors/mentoring sessions etc. You pay a fee that covers the accommodation and the retreat program. Some will include food in the price, others leave that out. There’ll generally be workshop sessions as well as individual and/or group feedback on a selection of your writing.
Who is this for? Anyone who’d like to spend time with the already established authors and mentors who are running the retreat. Anyone who is time poor and would rather not deal with the logistics of organising a retreat. Anyone who wants to feel safety in numbers.
*** Do any of these types of retreats sound appealing to you? ***
If you want to join me on retreat, I’ll be offering a tutor-led retreat on the Sunshine Coast hinterland in 2015, so email me at josephinemoon [at] live.com.au to let me know you’re interested.
I’m also open to visiting you on your own self-organised retreat. You can email me to chat about that too 🙂
My most popular post for 2014 was this little piece… Enjoy!
“I enjoyed your article in today’s ‘Sunday Life’ but please, please, please – ‘slither’ is what a snake does, ‘sliver’ is a small piece of kitchen bench!” (Fiona)
Yesterday, I had a first-person feature article published in the Herald Sun’s Sunday Life magazine, talking about the importance of following your dreams and I related my experience of being in the wrong career, of suffering chronic fatigue syndrome at just 29 years of age, and the long road to recovery. Part of that journey was learning to manage my inner perfectionist. (I don’t think I’ll ever truly get rid of the perfectionist, so I have to learn to manage her instead.) I received some wonderful feedback on the article, including the quote above from a reader named Fiona, who helpfully pointed out the typo in the very first paragraph of the article.
I do actually know the difference between slither and sliver, but my fingers went for the typo while I was writing the article (probably precisely because I was writing it with all those distractions I describe in the first paragraph) and there it stayed, even while multiple editors read it and sent it to print. It’s just one of those things that happens in life.
Now, let me sidestep here and tell you about a teenage girl I met at one of my library talks, who was so passionate about writing and just bubbling with conversation about what she was doing. BUT, she also talked about how she would sit in a cafe for hours to write, but only ever get a few sentences on the page because she would work them and rework and, essentially, be so afraid of getting it wrong that the words she wanted to get just didn’t make it to the page. Truly, this broke my heart. How unbelievably sad. That girl has words waiting for the world and her fear is stopping them getting there. This is a clear example of how perfectionism is a destructive force in our life.
Perfectionism is NOT about excellence. In fact, ‘perfect’ doesn’t even exist! It is a constructed idea in OUR OWN MIND. It is the perpetual search for the worst in ourselves, not the best. And because it is a constructed idea, in your own mind, no one else can ever convince you that something is good enough, no matter how much evidence they present. Only you can decide to trust and let go.
So, back to my reader feedback. Of course, as a recovering perfectionist, my first response to that was horror, shame, humiliation. Stories running through my head like, ‘Oh my God, my article is out there for the whole country to read and there’s a spelling mistake in the first paragraph!’ ‘No one will buy my book now because they’ll think I’m a crap writer!’ ‘People will think I’m stupid!’ ‘How could I have been so stupid??!!!’
But then, as a recovering perfectionist, I quickly identified these thoughts as illusions in my own mind. Sure, some people might think those things. Many people wouldn’t even notice. And many people, going by the rest of the feedback I received, took away something really valuable from the article. Was it better for it to be out there at all? I’d like to think so.
I used to be an editor of books, and despite four or five sets of eyes looking at them before they went to print, they invariably came back with at least one error in them. It’s just one of those things that happens because we are human in all our imperfect glory.
I also realised that Fiona’s feedback gave me a wonderful opportunity to once again heal my perfectionist and choose to NOT lie awake at night fretting about my errors but instead go to sleep feeling really peaceful that my article brought so much joy to so many people. Perfectionism is a choice. Self nurturing and acceptance is also a choice. I choose to be kind to myself. My words may not be perfect but they can still have power.
**disclaimer: I am once again writing this at 6.45am while my toddler watches Peppa Pig so I will embrace all errors ahead of time 🙂 **