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Exclusive, Personalised Writing Retreat

Fellow writers, for the first time, I’m offering 2-3 places for you to receive personalised attention on your manuscript and enjoy a three-night writing retreat in the quaint, peaceful town of Cooran on the Sunshine Coast, Qld.

(If this is the first time you’ve been to my site, you can find out about me here.)

Dates: Thursday 23 November to Sunday 26th November, 2023

What: Novels, children’s, memoirs and other non-fiction are all welcome to apply.

Cosy crime in the style of Phryne Fisher, Lenny Marks Gets Away with Murder or The Maid is welcome.

“Thank you so, very, much  – it was lovely meeting you and thank you for being so gentle and positive with your feedback. I was incredibly trepidatious, and knowing that there is some merit in my attempt at  long-form… Well I don’t think I can put into words just how much this means to me!”

A Full Manuscript appraisal client

What’s included?

  • A full manuscript appraisal (or up to 100,000 words). You will get your feedback prior to the retreat so that you have time to think about it before you get to retreat.
  • Three nights of accommodation (own room and queen sized bed for each participant), full kitchen facilities and two bathrooms (shared). The property has WiFi, fireplace, ceiling fans, all linen, fridge, microwave, dishwasher, stovetop, coffee and coffee maker.
  • Drinks and grazing platters on the first night of arrival. (Dietary requests are important, valued and lovingly provided.)
  • Airport transfers, if necessary. We can also help you get to the store for food supplies if needed.
  • Coffee… I will make sure there is plenty of coffee! Or tea or hot chocolate depending on your preference. Chocolate… you cannot write without it! I’ll make sure you have it.
  • Time with me for an individual consult/chat/brainstorm about the way forward for your manuscript, group sessions and facilitated writing/group time.
  • Special gifts from me to you.

Your notes have been brilliant, thanks again.
 
I look forward to being in your group and wonderful community.

A first three chapters client

Food

It’s a short drive to shops and cafes in Cooran and Pomona. Cooran has a really cute little general store, which might easily have enough to help you out over the three days, including artisanal bread, gluten free treats, meat, fruit, veg, pasta, Kenilworth cheese and more. If you don’t have a car, let me know and we’ll sort out a bit of shopping for you on the way in.

You’ll also find Hinterland restaurant and bar in Cooran.

Pomona Hotel and Pomona Distilling Co are in Pomona, as well as several cafes and an IGA.

Retreat Structure

Rest assured, you are in control of your time. Everything is optional. If you decide you want to hibernate for three days, that’s fine! Join in, or fly solo. This retreat is yours!

Thursday 23rd November. Travel to Cooran. Check in from 2pm. Settle in with drinks and grazing platters for dinner as we get to know each other and chat books and writing. (Check with me in if you need an airport transfer.)

Friday 24th November. Manuscript focus. Group chat plus individual brainstorming/consult/chats with me about your development plan for your manuscript.

Saturday 25th November. Free time in the morning. Writing sprints and live readings in the afternoon.

Sunday 26th November. Check out by 10am and back to the everyday world. (Check with me in if you need an airport transfer… I’ll do my best to help!)

Your place on retreat includes:

  • your opportunity to send me your whole manuscript (or at least 50% of it), whereupon I will read every single word of it and make loads of scrawly notes along the way (which I will then type up neatly for you)
  • my reading, preparing and reporting time
  • an emailed copy of my notes, feedback and suggestions
  • notes will include reflections on a variety of observations, such as character, story arc, plot, writing style, sub-plots, themes, word lengths, balance of chapters, points of view, tense, contradictions, logic issues, and any potential problems I might spot in regards to sensitive content, global trends or legalities**
  • a mountain of useful information to help you take the next right steps
  • complimentary digital assets and working resources, delivered to your inbox
  • lifetime membership* to my private coaching/mentoring/assessment email list, with exclusive content just for this group
  • FREE access to my e-course on how to find the time to write
  • lifetime invitation* to a quarterly Zoom call for all my students, where you can ask me anything, and also (if you want to) connect with other writers who might be writing similar stories to you. (Writing buddies are the best! You might find a new one here.) 
  • GST, processing fees and printing costs

* “lifetime membership” and “lifetime invitation” means for the duration of the time that I am offering these services… which is hopefully many years
**Please note that a manuscript assessment does not include editing services. Editing is an entirely different process. This means, I do not fix your words, sentences, paragraphs, typos, spelling, punctuation or grammar. (Having said that, it is highly likely I will pull out sections of text to demonstrate how you could improve your writing style and fluency.)

Thank you so much for yesterday and for sending these notes. Your suggestions and line notes are amazing. So much to think about and go through. I am especially impressed since I had the first fifty pages looked at by [an organisation] and your suggestions resonate so much better with me… I have a lot of work to do but am very grateful for your feedback.

First 50 pages client

Who is This For?

This retreat is for a writer who has a completed manuscript (at least a full first draft) and who is seeking feedback and is committed to embarking on another draft of development.

This retreat is for a writer:

  • who understands that drafting is a process that can go on for many drafts … and that it is absolutely normal (and necessary) to do so.
  • who realises that a book won’t (and shouldn’t) go to print before, likely, at least six rounds of drafting/editing has occurred (through the various levels of structural editing, copy editing and proofreading).
  • who understands that it is normal to sometimes have to delete an entire character (or family) from an early draft, or to have to strip and rewrite 10,000 words, or to go back and build in more subplot or take some out to let the rest breathe.
  • who sees feedback and drafting as the exciting bit because you know it’s bringing your book closer to reaching the outside world (even if it is daunting… that’s what coffee and chocolate are for!).

What: Novels, children’s, memoirs and other non-fiction are all welcome to apply.

Cosy crime in the style of Phryne Fisher, Lenny Marks Gets Away with Murder or The Maid is welcome.

Your Investment

$3,300 (all inclusive, from manuscript assessment to farewell at checkout/the airport).

If you and your project sounds like something I believe I can add value to, I will send you a booking sheet ASAP so we can get the ball(point pen) rolling.

Apply for a Place on Retreat

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Thank you for your response. ✨

Want More? Why Not Extend Your Stay

Cooran is part of the Noosa hinterland. You will be perfectly placed to extend your stay on either side of retreat. The famous Eumundi Markets are on Saturdays and Wednesdays. Glorious Main Beach at Noosa Heads is a mere 40-minute drive from Cooran.

Lastly… Please Note these Physical Access Specifics

This is a rural property with uneven terrain surrounding the house. There are 10 steps that lead to the house entry. There is no disabled access in this home. I apologise for, well, the world, really… that everything is not created with disability access requirements in mind, especially since 1 in 5 people in Australia has a disability, and that disability is a normal variation of human beings. I will always try to find ways to work around the world’s shortcomings if possible. I hope this will change for future events.

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Bribie Island Weekend Writing Retreat

Writing retreats are, hands down, one of the most important things you can do as a writer. Having just come back from my twice-yearly writing retreat week, I am bubbling with enthusiasm to share the joy. Why not join me for a weekend of writing at Bribie Island (Qld) this October to find the time and space to go deeper.

Are you writing a novel, memoir, short story or lived experience self-help book?

You’re invited to join a small group of fellow word lovers to spend quality time diving deeper into your project.

Writing retreats take us physically out of our everyday, which translates nicely to transporting our minds to different places too. Writers can and will write under any circumstances, if they are so determined. Yet, in my considerable experience of writing retreats, absolutely nothing comes close to the value of dedicated writing time and (possibly more importantly) mental space for our creative brains to expand and grow.

I’ve balanced this retreat with enough structure to give you guidance but also enough free time for you to follow your heart.

Retreat Structure

  • Our home base will be in the Bribie Island Library on Saturday and Sunday, from 9am to 2pm.
  • We will spend time talking about our projects and brainstorming our way through problem areas. We’ll practise different ways to access the deeper parts of our characters and their backstories.
  • We’ll break between 11am and 12pm for coffee and lunch. You can wander solo or join with others to continue chatting over food.
  • We’ll leave the library at 2pm, at which point, you decide how to best continue your retreat. You might head for coffee and cake with fellow writers and continue book chat, wander the extensive walking path along the foreshore and get some sea air to allow your subconscious some processing time before heading back to your accommodation to write some more, or head out again for dinner. It’s your call.
  • The theme of this weekend is Diving Deeper, with the focus on adding depth and value to our words rather than racing to add words to our total word count. (Don’t worry, though, we’ll also do that too.)

The maximum number of spaces for this weekend is 7.

Your Investment: $225pp.

(Accommodation is not included. See below for suggestions.)

Yes, Please! I’m in!

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Attending?(required)

The Area

This lovely library is situated on the foreshore of Pumicestone passage (Bongaree) and is an easy, flat, few minutes walk to cafes, coffee, ice cream, and various shops. I recently ate at Annie Lane cafe every day while on retreat and enjoyed coffee and incredible cakes from Scoopy’s, just over the road. I also enjoyed the foreshore walk, which has a wealth of historical photos, information and quotes to inspire a dozen new stories or characters that you might even weave into your own project.

Accommodation

Bribie Island has a wide range of accomodation options available so you are sure to find something to suit your needs.

Bongaree Caravan and Cabins has simple but affordable options that can suit up to 4 people art once, in some cases. They are also just a stone’s throw from the library!

Big4 also has luxury cabins available.

And of course there are the usual online accommodation searches to find plenty of other options (e.g. AirBnB, Wotif, Booking)

I look forward to sharing a weekend of writing with you soon!

Jo

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I Am An Author Who Cannot Read

Part 1: Why reading is difficult for me.

I have been a professional author for 10 years now, with my 10th book coming out next year, yet I am an author who cannot read.

It is only recently that I have come to fully accept this as a potentially permanent situation and learn to heal the internalised shame of this particularly frustrating dilemma. But to explain how this happened, I’m going to have to go back in time.

I learnt to read early. I was an enthusiastic reader. I had very specific interests in stories, especially anything with horses or animals or fairies and magic. I can decode text. I am not dyslexic. I was a good student and, generally speaking, excelled in almost everything (until senior years when I had exceptional highs and lows and nothing in between (I was never going to be mediocre, only top or bottom… but that is a completely different story).

However, despite being a good reader, I was always baffled at how quickly other (good reading) kids finished books. I distinctly remember thinking at a young age and beyond: I’m a good reader so why can’t I read as much as the other good readers? I was an accurate reader and I had high comprehension but I was not fast. I realise now that I compensated for a lot of this by being the best student. I did all the work. I spent whole days working on one project. The moment I didn’t get a near-perfect mark, I was asking for tutoring. I made copious colour-coded notes and taped them all over the house. I read out and recorded my study notes onto a cassette tape and played it back to myself while I slept. (I’m not even kidding.) In short, I worked and worked and worked (setting up a lifetime pattern of burnout).

As an adult, I’ve always been truly confounded by readers who say, ‘Oh, I loved it and finished it an a day.’

A day?! What?! How?!?

For me, even if I LOVED a book as hard as you could LOVE a book, to finish a novel in TWO WEEKS would be a fast rate for me.

Then I had my son and it all ended. I couldn’t read anymore.

What I didn’t know back then, which I do now, is that I am Autistic and ADHD and knowing what I know now, here is what I think happened. When I had my son (and I got book contracts, and I had to move house and renovate a house and wind-up a charity and lots more), my poor brain’s less-than-optimal executive functioning skills were pushed to levels they’d never been to before. Our brains are very clever, though, and mine worked this out and made the choice for me: my son was the priority. Essentially, my brain shut down a whole lot of other pathways in order to prioritise my child. Reading was cut from the list. I also now know I was in Autistic burnout, which I had been for most of my life since the age of 15 and burnt out brains have no qualms about dropping your hard-won skillsets.

For the past ten years, I have essentially convinced myself that this is a temporary problem. But reading ability has never recovered.

Reading and ADHD

Difficulty with reading is a common ADHD complaint. Every AuDHDer is different but for me, these are some of the ways reading poses challenges for me.

  • I have ADHD impatience but I also have the strong Autistic need to finish something I started and do it really well (preferably perfectly), but having a slow reading rate means it simply takes me too long to get there and those conflicting drives create stress.
  • The AuDHD brain craves novelty and keen interest. If the content hasn’t grabbed me by the second chapter, I’m out. I simply CAN NOT go on. (I do want to make it super clear here that often people think ADHDers have a choice in their behaviour… that if they just tried harderor if they just focused more they could get it done… but it doesn’t work that way. That’s a longer conversation for another day, all about transmitters and dopamine.)
  • Inertia: once I get interrupted, it is difficult (sometimes impossible) to initiate the task again.
  • My sensory processing difficulties (e.g. noise, smells, temperature, clothing, body position) are such high distractors that I can lose focus and have to start again.
  • I can’t read off a screen. (I don’t know why exactly but I just can’t.)
  • If I do get distracted, I need to go back and re-read passages or pages over and over because I need to feel that I have read it deeply and properly (I do not skim read!). This becomes tedious and fatiguing.
  • Unfriendly font types and lack of white space are a problem. I have been reading about dyslexia-friendly fonts lately and exploring those but I don’t feel I’m knowledgable enough about them to say more about that at this stage.
  • Having to be still is a big problem for me. Until recently, I had NO IDEA how much I fidget. Something is always twitching. This is challenging for long hours of reading. (I also can’t sit through an entire movie.)
  • I will finish with a final (but exceptionally important) challenge, and that is that I am a highly visual and sensory reader. If there is trauma on the page, I don’t read that in a theoretical sense with a bit of sympathy… I FEEL it. Literally. In my body. In my organs. And I SEE it in minute detail in my head and it NEVER GOES AWAY. So often, I am traumatised by fiction and simply cannot read on.

Non-fiction books

I have been able to read more non-fiction in paperback form than fiction, which I think is largely due to the amount of white space, bullet points and diagrams that break up long-form text. It’s also easier to put down a non-fiction book (whose content is grouped in chapters and sections) and then pick it up again later because the next chapter doesn’t necessarily depend on having read the previous chapter, whereas reading fiction requires that you keep a lot of story-world and character information in your head in order to link earlier information to later information to make sense of the whole story.You can also often flick through non-fiction books and skip the bits that don’t have high interest, unlike a novel, which requires you to read all of it. 

A Hereditary Problem?

We know that ADHD is highly heritable. Interestingly, both my mother and maternal grandmother were also great readers until they hit a point in their life where they said they simply couldn’t read any more. I’m guessing this was about when they hit burnout and their executive functioning took a long walk up a mountain to rest.

So What Do I Do?

Firstly, I read almost exclusively on audio. If it’s not on audio, I can’t read it. (So please, publishers, can we have everything on audio at all times? It’s an issue of equity and access for all.) For example, with tremendous irony, I am waiting to ‘read’ Sally Rippin’s book, Wild Things (which is ALL about kids having difficulty reading, which my son does too) but I can’t read the book and so I am impatiently waiting to get it on audio at the end of this year. Oh, the irony 🙂

Over the years, several people have said to me that ‘audio books are cheating’ or that ‘it doesn’t count as reading if it’s not a book’ or that ‘it’s lazy’. Loves, this hurts.

Some people have very rigid beliefs and ideas. I mean, if a blind person listens to an audio book, would you tell them it was cheating?! No, because (a) what does that even mean?! (b) I doubt you are that rude and thoughtless because it is perfectly okay for someone to access a story in whatever way supports them best; and (c) story is story! It still teaches you empathy, history, culture and mood. (Hello, our Indigenous populations thrived for many thousands of years on oral storytelling.) You can still visualise the story in your head. You still cry and laugh and shudder and gasp. You’re still transported to other worlds, relax and get excited. Your brain is still working; it’s just working differently. (At which point, I’d like to refer everyone in the world to Chloe Hayden’s book, Different, Not Less.) To say it’s cheating or doesn’t count is such an ableist, elitist, privileged, crappy thing to say. Please don’t take away our joy, and don’t shame us for not being able to do what you can do.

Okay… taking a deep breath… and moving on.

Secondly, I HAVE pushed through a handful of paperbacks in the past decade in order to review them or support author friends but it is agony and NOT because their book is agony (their books are great!) but because it is just so difficult for me: it takes so much energy. It makes me feel like there’s something wrong with me, which I guess is how kids with reading difficulties feel too. Big, huge, warm, fuzzy hugs for all the kids struggling with this right now. It gets better, I promise.

Thirdly, in my book club, there are two of us who need books on audio (one of us with ADHD and one of us with vision requirements) so we will only choose books that are available in formats that suit us all. Easy.

Where to From Here?

I am now taking ADHD medication. Will my reading ability (as slow as it was) come back? Only time will tell. And maybe when I finally get hold of Sally Rippin’s book I will know what to do 🙂

I am learning, though, to be kinder to myself. Neurodivergent individuals hear, read and absorb a staggering amount of negativity in their lifetime. We become exceptionally good at taking on this criticism and turning it into our own internal voices.

I have been carrying a big load of shame about being an author who cannot read. I’ve also had to start saying no to requests for cover quotes for books (something I see as a tremendous privilege and honour, and something I know is extremely important to authors) because I simply cannot read the manuscript. (It can take me a week, or more, simply to read my own manuscript during editing phases.) 

I am learning that, as much as I might want to, I will never be able to keep up with a lot of stuff that goes on in the publishing world and that I will never be able to contribute as much in terms of reading and reviewing and talking about others’ work as much as I want to because I am atypical. And I’ll never be able to travel as much and speak as much and be as productive business-wise as I truly want to be. Honestly, that makes me pretty teary.

Difficulties with reading and writing (and learning disorders, ADHD and Autism) may contribute to poor self esteem but what I want to do more than anything is be a role model for my son, to help him learn to undo the damage that’s been done to his sense of self through the schooling system (side bar: we are now homeschooling) and know that some of us (actually, quite a lot of us in the world) do things differently because we need to and that’s okay. What’s not okay is that we don’t yet have full supports in place as normal access rather than them being ‘extra’ or ‘special’ supports. 

But I am nothing if not a hopeful person who sees a problem and tries her best to change it. So here I am, talking about the stuff I still find hard to talk about because as Glennon Doyle always says, We Can Do Hard Things.

—-

In #2 of this series, I will look at the ways ADHD has negatively impacted me as an author. In #3, I will look at the ways ADHD has positively impacted me as an author.

*Autistic burnout (Sidebar: I run Autistic & ADHD Retreats on Burnout on the Sunshine Coast, just in case you know anyone who needs a retreat.)

P.S. I’m just going to finish here by encouraging anyone who thinks they have a child with a neurodivergence of any kind to seek early assessments and support as soon as possible. It is much more difficult to rewrite your understanding of yourself and your brain, and learn what supports you need in life, and to avoid myriad damaging flow-on effects and co-occurring conditions when you are in your 40s than it is when you are still in primary school. We need to know why we struggle. We need to learn how to navigate this world.

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Gilberta’s Pasta Recipe

If you have read Three Gold Coins you may remember the pasta making scene with Gilberta. The character of Gilberta is a fictional one but she is lovingly named after the real Gilberta (Sangiorgi Nuccitelli Gilberta), who taught us how to make pasta when we were on retreat in Tuscany. Here are some photos and Gilberta’s recipe, as she gave it to us. I have written the method as best I can remember of the great pasta making day.

Gilberta’s Maltagliati Pasta

Ingredients

1 kilogram of Grano Duro Wheat, Type 00 (double zero), plus more if necessary when kneading

10 eggs

Extra water if needed.

Method, part one

  • Either use a plastic bowl or a wooden cutting board. Make a well in the centre of the flour, add the eggs and fold in with your hands.
  • If the mixture is too dry, add sprinkles of water if necessary.
  • Knead until the mixture has the consistency of your ear lobe. It should be stretchy but spring back. Sprinkle more flour if it’s too sticky.
  • Let it rest for ten (Italian) minutes. This is a good chance to drink some wine. 🙂

Method, part two

  • You need to have plenty of space to roll out the pasta and leave it to dry. The pasta sheets can’t be on top of each other or they will stick. Use a cotton cloth to lay the pasta out on because it will absorb whatever scent you put it on.
  • Cut off a slice of pasta and squeeze it to the thickness you need to put it through the pasta press.
  • You ideally need two people—one to feed the press and the other to catch sheets at the other end.
  • Flour between the sheets so they don’t stick to each other.
  • If the pasta breaks, roll it up again and put back through the pasta press.
  • Dry the pasta sheets for ten (Italian) minutes.
  • When it’s dry, cut or tear it into smaller pieces then boil as you would normally boil pasta.
  • Serve with your favourite sauce and homemade table wine.
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The Nash Agency 2018 Writers Retreat

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I am thrilled to be a part of this exciting retreat, offered by my literary agent Haylee Nash of The Nash Agency.

The Nash Agency Writer’s Retreat 2018

When: Monday 3rd September to Thursday 6th September

Where: Cedar Creek Lodges, Mt Tamborine, Gold Coast Hinterland, Queensland

The Nash Agency is pleased to offer our first writers’ retreat.

Open to aspiring, self-published and traditionally published authors, our writers’ retreat offers the chance to hone your craft through sessions with bestselling Australian authors and experienced literary agents, one-on-one consultations with principal agent and owner, Haylee Nash, and engaging and challenging group workshops, as well as offering the space to focus on your writing in the perfect setting.

Here is just some of what you can expect from The Nash Agency Writers’ Retreat 2018:

* Masterclass with top ten bestselling Australian author, Rachael Johns

* Masterclass with international bestselling author, Josephine Moon

* Learn from Alex Adsett about the role of an agent, the importance of copyright and how to understand a publishing contact

* Hear from Haylee Nash about the state of the Australian book market, current trends in publishing and what publishers are looking for

* Polish your pitch to give your manuscript the best chance of snagging an agent and/or publisher

* Partial manuscript appraisals (on three chapters and synopsis), including a one-page report and 15-minute consultation with Haylee Nash

Click here for more information on ticketing, accommodation and more details about the presenters.

I hope to see you there!

Jo

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Heavenly Retreat

** This post was first published in 2009, but I’m posting it again here because 2015 will be ‘The Year of Retreats’ on this blog **

————-

75323_173120436038856_3551589_n‘Welcome to Heaven.’

This is how our small cohort of writers was greeted at our DIY writing retreat over the long weekend. Five of us (four full-time participants and one part-time participant) locked ourselves in a tiny cabin at Heaven in the Hills in Maleny. We were surrounded by rain forest; were warmed by a fireplace that glowed 24-hours a day for four days; slept to the sound of silence; were without mobile phone reception; lived without television or radio; and had the most wonderful time. This is despite (or perhaps because of) the fact that we had gone with a cheap DIY option and were crammed into such a tiny cabin that left one man sleeping on the verandah in a pink ‘fairy’ bed and one man sleeping on the floor in a nest of cushions. (Sometimes there are advantages to being female.)

Locked into such a tiny space we talked and brainstormed and problem-solved our way through twelve hours of conversation at a time. And never once did we fight. On the contrary; we were bursting with enthusiasm and support and laughter.

I came up with the idea for a DIY retreat after reading an article in The Writer magazine. I wanted to go on retreat and wondered who I could convince to come with me. I cast the net wide and left it up to fate as to who turned up. It worked like a charm. I wrote a program and everyone agreed to it. I offered a choice of two locations and everyone unanimously voted for the cabin. We slept little but dreamed lots. We wrote little but received more prizes than any of us thought was possible. We solved the big questions of our writing before we headed too far down the wrong path.

I simply could not have imagined a better time. (Okay if everyone had had their own bed/bedroom it would have been better… but I still wonder if that was part of the magic of this ‘writer survivor’ experience.)

Today I am struggling to keep hold of the magic of the weekend and carry it with me like a candle throughout my day lighting up my characters and plot with every breath I take. But as the wonderland fades a little with every chore found here in the ‘real’ world I know that I only have to open my book and write a sentence in order to find it again.

*** Does a retreat sound appealing to you? ***

If you want to join me on retreat, I’ll be running a retreat on the Sunshine Coast hinterland in October 2015. Click here for details.

I’m also open to visiting you on your own self-organised retreat. You can email me to chat about that too 🙂

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Writing Retreats — Which Type is Right for You?

Writing retreats are, hands down, awesome–so much so, I’d go as far to say they are one of the most important things you can do as a writer.

Just you, the trees, and your book
Just you, the trees, and your book

I’ve been on a number of writing retreats. In fact, the first one I went on, I organised myself by choosing a location, setting a timetable and a structured outcome process (I’m a former teacher; I can’t help it), and inviting people along. Despite an accommodation challenge, it was fantastic. Since then, I’ve come to value retreats in many varied and extended ways and I’ll be writing several posts on this topic this year. So let’s start with finding the right type of retreat for you.

( If you want to join me on retreat, I’ll be offering a tutor-led retreat on the Sunshine Coast hinterland in 2015)

The DIY retreat

This is what I did for my first retreat. It’s a bit like a school camp except that everyone there is a nerd, just like you. So you can actually revel in your artsy, geeky glory instead of feeling left out. (Or, hey, maybe that’s just me.) The DIY retreat goes something like this:

  • a bunch of writers agree to go and spend time together in a location suitable for their needs and desired outcomes
  • you might share accommodation, food, books, notes, and resources
  • you might choose to delegate everyone a job, such as presentation to the group on some aspect of the craft of writing
  • you might all like to submit a portion of writing for the group to review prior to the retreat and at the allocated time in your schedule, you have a group critique session. (Most people really dig this part so it’s worthwhile doing.)
  • you might even approach an author to come and visit you on retreat (or stay with you), pay for their time to teach you some skills and/or give you feedback on your writing.

Who is this for? Writers on a budget; aspiring writers who want to get their feet wet on retreats; those who want to hang out with other writers; writers who want to tailor their own retreat (e.g. handpick an author to come to their retreat).

IMG_3586The Solo Word Count retreat

This is the retreat you take yourself on to GET THINGS DONE. There is only one goal on this retreat: WORDS. Fantastic if you are on a deadline (either self-imposed or contractually obligated), or perhaps when you’re just bursting with a story and dying to get it down but life keeps getting in the way.

The last retreat I took was of this type and I nailed 10,000 words in two-and-a-half days. For me, that’s fabulous. And if I did three retreats a year like that, that would be a third of a first draft of a novel done in just over a week in total. Bam! Words, words, words. A novel can’t exist without words, after all.

Who is this for? Anyone feeling a timeline pressure. (Or extreme introverts who relish days on end in silence with nothing but their own thoughts.)

The Solo Planning and/or Editing retreat

This is similar to the Solo Word Count retreat, except that your goals are different. Rather than a tunnel-vision goal of moving forwards only (word count), the planning and editing phases of writing are a lot more lateral. Spiralling, even. Narrowing in, then pulling outwards again. Reading, then editing. Writing notes, then typing words. Drawing diagrams, and then throwing them away. It takes time and space to do these things well and a retreat is a great way to really get to know your novel.

Who is this for? Writers at the beginning of their project; writers working on subsequent drafts; writers on a deadline to move through the editing phase.

The Lifestyle writing retreat

This could be organised by you, a group of you, or an external party.

I’d say the focus of this type of retreat is sharing communal space with other writers to enjoy spontaneous connection and indulgence of your love and passion for writing. There’ll be plenty of time to write on your own in a nook somewhere, or sitting at the big ol’ dining table with other writers. There might be shared dinners out, time for a massage, or doing some yoga between sessions.

Who is this for? Anyone who’s feeling a bit stuck, disconnected or who has lost the passion and motivation for their project. It’s a big kick start to your creative juices.

The Research retreat

Oh, this is fun. New locations, road trips, plane trips, boat trips, train trips… you get the point. Photography. Note taking. Maps. Historical societies. Interviews with relevant subjects. On-site visits to businesses, farms or families. Collecting knick knacks, feathers, stones or food.

The goal of this retreat is to get as much hard data and/or whimsical feeling for many of elements of your project to take back home with you so you can continue to write your story with new vision.

Who is this for? Writers who are building scenes and stories about places, time, people, careers, history etc. outside of their own world view of the world. Writers who want to kick start a project. Writers who have stalled in a project and need to infuse it with new life.

The ‘it’s all done for you’ retreat

These are retreats offered by writers, editors, associations and so on. They generally pick the location, provide tutors/instructors/mentoring sessions etc. You pay a fee that covers the accommodation and the retreat program. Some will include food in the price, others leave that out. There’ll generally be workshop sessions as well as individual and/or group feedback on a selection of your writing.

Who is this for?  Anyone who’d like to spend time with the already established authors and mentors who are running the retreat. Anyone who is time poor and would rather not deal with the logistics of organising a retreat. Anyone who wants to feel safety in numbers.

*** Do any of these types of retreats sound appealing to you? ***

If you want to join me on retreat, I’ll be offering a tutor-led retreat on the Sunshine Coast hinterland in 2015, so email me at josephinemoon [at] live.com.au to let me know you’re interested.

I’m also open to visiting you on your own self-organised retreat. You can email me to chat about that too 🙂

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The Writer’s Retreat Wrap-Up

She works hard for the money… so hard for the money…

So this is how my writing retreat went:

Drinking tea and have a long soak in a clawfoot bath, all in the name of research
Drinking tea and have a long soak in a clawfoot bath, all in the name of research

Stayed in a gorgeous wee house, ‘Amelie’s Petite Maison’ at The Spotted Chook in Montville.

All alone for first time since my baby was born eight months ago… very weird but not totally unpleasant.

Had to extricate a huntsman spider out of my wee house ALL BY MYSELF!! For the record, I don’t DO spiders. My husband does the spiders and snakes; I do the rodents. Such is the perils of being all alone. Spider relocated outside in good health; I aged about ten years.

Engaged in many long soaks in the clawfoot bath.

Drank copious amounts of tea.

Ate chocolate healthy food.

Had a massage.

Suffered through the Worst High Tea in History (apologies to my sister for being subjected to that). On the upside, it actually inspired a change in the scene I was intending to write and I think it’s a better scene now, so all not lost.

Writing and tea drinking
Writing and tea drinking

Drank a cocktail with my sister after the Worst High Tea in History to make up for said suffering.

Oh yes, and worked long hours and finished my latest draft of The Tea Chest, ready to hand over to my publisher. Hooray!

And can I say what a brilliant job my husband did of looking after our bubbalicious, the furry children and the house all by himself for three days. What a superstar! Thank you xx

All in all, a pretty great birthday treat 🙂

 

 

 

 

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This year, my birthday wish is to work

Ah... the elegance of The Spotted Chook is waiting for me!
Ah… the elegance of The Spotted Chook is waiting for me!

Breathe in…. breathe out…. sighhhhhhhh…..

I’m starting to tingle already in anticipation of where I’m headed tomorrow: for three nights at the gorgeous Spotted Chook in Montville, on the Sunshine Coast hinterland. With much relief and joy, I’m heading away all by myself to work on my novel and this is my greatest wish for my birthday weekend, the best present a girl could have. Just me, the mountains, beautiful surrounds, my manuscript, my laptop and more chocolate than humanly possible to consume healthy food.

I need peace and quiet, no internet connection, and dedicated emotional space to finish the current draft I’m working on before it moves to its next stage towards publication. And it’s always about this time in a novel’s development that I begin to feel like it’s really maturing, so I’m excited to see in which directions it will grow in the next few days.

For me, writing retreats are not just a luxury (because sometimes they just involve locking myself in an office for extended periods of time) but an absolute necessity. It’s where the outer layers begin to peel away and I get to the core of my story, my characters and my abilities–What’s underneath that? And what’s underneath that? And that?? Push further. Go deeper. There! There it is!! Hooray!

Oh, and did I mention I’m going to high tea with my sister for the purpose of RESEARCH!? Ah huh… yep.

Happy days!