If you have read Three Gold Coins you may remember the pasta making scene with Gilberta. The character of Gilberta is a fictional one but she is lovingly named after the real Gilberta (Sangiorgi Nuccitelli Gilberta), who taught us how to make pasta when we were on retreat in Tuscany. Here are some photos and Gilberta’s recipe, as she gave it to us. I have written the method as best I can remember of the great pasta making day.
Gilberta’s Maltagliati Pasta
1 kilogram of Grano Duro Wheat, Type 00 (double zero), plus more if necessary when kneading
Extra water if needed.
Method, part one
Either use a plastic bowl or a wooden cutting board. Make a well in the centre of the flour, add the eggs and fold in with your hands.
If the mixture is too dry, add sprinkles of water if necessary.
Knead until the mixture has the consistency of your ear lobe. It should be stretchy but spring back. Sprinkle more flour if it’s too sticky.
Let it rest for ten (Italian) minutes. This is a good chance to drink some wine. 🙂
Method, part two
You need to have plenty of space to roll out the pasta and leave it to dry. The pasta sheets can’t be on top of each other or they will stick. Use a cotton cloth to lay the pasta out on because it will absorb whatever scent you put it on.
Cut off a slice of pasta and squeeze it to the thickness you need to put it through the pasta press.
You ideally need two people—one to feed the press and the other to catch sheets at the other end.
Flour between the sheets so they don’t stick to each other.
If the pasta breaks, roll it up again and put back through the pasta press.
Dry the pasta sheets for ten (Italian) minutes.
When it’s dry, cut or tear it into smaller pieces then boil as you would normally boil pasta.
Serve with your favourite sauce and homemade table wine.
I am thrilled to be a part of this exciting retreat, offered by my literary agent Haylee Nash of The Nash Agency.
The Nash Agency Writer’s Retreat 2018
When: Monday 3rd September to Thursday 6th September
Where: Cedar Creek Lodges, Mt Tamborine, Gold Coast Hinterland, Queensland
The Nash Agency is pleased to offer our first writers’ retreat.
Open to aspiring, self-published and traditionally published authors, our writers’ retreat offers the chance to hone your craft through sessions with bestselling Australian authors and experienced literary agents, one-on-one consultations with principal agent and owner, Haylee Nash, and engaging and challenging group workshops, as well as offering the space to focus on your writing in the perfect setting.
Here is just some of what you can expect from The Nash Agency Writers’ Retreat 2018:
* Masterclass with top ten bestselling Australian author, Rachael Johns
* Masterclass with international bestselling author, Josephine Moon
* Learn from Alex Adsett about the role of an agent, the importance of copyright and how to understand a publishing contact
* Hear from Haylee Nash about the state of the Australian book market, current trends in publishing and what publishers are looking for
* Polish your pitch to give your manuscript the best chance of snagging an agent and/or publisher
* Partial manuscript appraisals (on three chapters and synopsis), including a one-page report and 15-minute consultation with Haylee Nash
Click here for more information on ticketing, accommodation and more details about the presenters.
** This post was first published in 2009, but I’m posting it again here because 2015 will be ‘The Year of Retreats’ on this blog **
‘Welcome to Heaven.’
This is how our small cohort of writers was greeted at our DIY writing retreat over the long weekend. Five of us (four full-time participants and one part-time participant) locked ourselves in a tiny cabin at Heaven in the Hills in Maleny. We were surrounded by rain forest; were warmed by a fireplace that glowed 24-hours a day for four days; slept to the sound of silence; were without mobile phone reception; lived without television or radio; and had the most wonderful time. This is despite (or perhaps because of) the fact that we had gone with a cheap DIY option and were crammed into such a tiny cabin that left one man sleeping on the verandah in a pink ‘fairy’ bed and one man sleeping on the floor in a nest of cushions. (Sometimes there are advantages to being female.)
Locked into such a tiny space we talked and brainstormed and problem-solved our way through twelve hours of conversation at a time. And never once did we fight. On the contrary; we were bursting with enthusiasm and support and laughter.
I came up with the idea for a DIY retreat after reading an article in The Writer magazine. I wanted to go on retreat and wondered who I could convince to come with me. I cast the net wide and left it up to fate as to who turned up. It worked like a charm. I wrote a program and everyone agreed to it. I offered a choice of two locations and everyone unanimously voted for the cabin. We slept little but dreamed lots. We wrote little but received more prizes than any of us thought was possible. We solved the big questions of our writing before we headed too far down the wrong path.
I simply could not have imagined a better time. (Okay if everyone had had their own bed/bedroom it would have been better… but I still wonder if that was part of the magic of this ‘writer survivor’ experience.)
Today I am struggling to keep hold of the magic of the weekend and carry it with me like a candle throughout my day lighting up my characters and plot with every breath I take. But as the wonderland fades a little with every chore found here in the ‘real’ world I know that I only have to open my book and write a sentence in order to find it again.
*** Does a retreat sound appealing to you? ***
If you want to join me on retreat, I’ll be running a retreat on the Sunshine Coast hinterland in October 2015. Click here for details.
I’m also open to visiting you on your own self-organised retreat. You can email me to chat about that too 🙂
Writing retreats are, hands down, awesome–so much so, I’d go as far to say they are one of the most important things you can do as a writer.
I’ve been on a number of writing retreats. In fact, the first one I went on, I organised myself by choosing a location, setting a timetable and a structured outcome process (I’m a former teacher; I can’t help it), and inviting people along. Despite an accommodation challenge, it was fantastic. Since then, I’ve come to value retreats in many varied and extended ways and I’ll be writing several posts on this topic this year. So let’s start with finding the right type of retreat for you.
This is what I did for my first retreat. It’s a bit like a school camp except that everyone there is a nerd, just like you. So you can actually revel in your artsy, geeky glory instead of feeling left out. (Or, hey, maybe that’s just me.) The DIY retreat goes something like this:
a bunch of writers agree to go and spend time together in a location suitable for their needs and desired outcomes
you might share accommodation, food, books, notes, and resources
you might choose to delegate everyone a job, such as presentation to the group on some aspect of the craft of writing
you might all like to submit a portion of writing for the group to review prior to the retreat and at the allocated time in your schedule, you have a group critique session. (Most people really dig this part so it’s worthwhile doing.)
you might even approach an author to come and visit you on retreat (or stay with you), pay for their time to teach you some skills and/or give you feedback on your writing.
Who is this for? Writers on a budget; aspiring writers who want to get their feet wet on retreats; those who want to hang out with other writers; writers who want to tailor their own retreat (e.g. handpick an author to come to their retreat).
The Solo Word Count retreat
This is the retreat you take yourself on to GET THINGS DONE. There is only one goal on this retreat: WORDS. Fantastic if you are on a deadline (either self-imposed or contractually obligated), or perhaps when you’re just bursting with a story and dying to get it down but life keeps getting in the way.
The last retreat I took was of this type and I nailed 10,000 words in two-and-a-half days. For me, that’s fabulous. And if I did three retreats a year like that, that would be a third of a first draft of a novel done in just over a week in total. Bam! Words, words, words. A novel can’t exist without words, after all.
Who is this for? Anyone feeling a timeline pressure. (Or extreme introverts who relish days on end in silence with nothing but their own thoughts.)
The Solo Planning and/or Editing retreat
This is similar to the Solo Word Count retreat, except that your goals are different. Rather than a tunnel-vision goal of moving forwards only (word count), the planning and editing phases of writing are a lot more lateral. Spiralling, even. Narrowing in, then pulling outwards again. Reading, then editing. Writing notes, then typing words. Drawing diagrams, and then throwing them away. It takes time and space to do these things well and a retreat is a great way to really get to know your novel.
Who is this for? Writers at the beginning of their project; writers working on subsequent drafts; writers on a deadline to move through the editing phase.
The Lifestyle writing retreat
This could be organised by you, a group of you, or an external party.
I’d say the focus of this type of retreat is sharing communal space with other writers to enjoy spontaneous connection and indulgence of your love and passion for writing. There’ll be plenty of time to write on your own in a nook somewhere, or sitting at the big ol’ dining table with other writers. There might be shared dinners out, time for a massage, or doing some yoga between sessions.
Who is this for? Anyone who’s feeling a bit stuck, disconnected or who has lost the passion and motivation for their project. It’s a big kick start to your creative juices.
The Research retreat
Oh, this is fun. New locations, road trips, plane trips, boat trips, train trips… you get the point. Photography. Note taking. Maps. Historical societies. Interviews with relevant subjects. On-site visits to businesses, farms or families. Collecting knick knacks, feathers, stones or food.
The goal of this retreat is to get as much hard data and/or whimsical feeling for many of elements of your project to take back home with you so you can continue to write your story with new vision.
Who is this for? Writers who are building scenes and stories about places, time, people, careers, history etc. outside of their own world view of the world. Writers who want to kick start a project. Writers who have stalled in a project and need to infuse it with new life.
The ‘it’s all done for you’ retreat
These are retreats offered by writers, editors, associations and so on. They generally pick the location, provide tutors/instructors/mentoring sessions etc. You pay a fee that covers the accommodation and the retreat program. Some will include food in the price, others leave that out. There’ll generally be workshop sessions as well as individual and/or group feedback on a selection of your writing.
Who is this for? Anyone who’d like to spend time with the already established authors and mentors who are running the retreat. Anyone who is time poor and would rather not deal with the logistics of organising a retreat. Anyone who wants to feel safety in numbers.
*** Do any of these types of retreats sound appealing to you? ***
If you want to join me on retreat, I’ll be offering a tutor-led retreat on the Sunshine Coast hinterland in 2015, so email me at josephinemoon [at] live.com.au to let me know you’re interested.
I’m also open to visiting you on your own self-organised retreat. You can email me to chat about that too 🙂
She works hard for the money… so hard for the money…
So this is how my writing retreat went:
Stayed in a gorgeous wee house, ‘Amelie’s Petite Maison’ at The Spotted Chook in Montville.
All alone for first time since my baby was born eight months ago… very weird but not totally unpleasant.
Had to extricate a huntsman spider out of my wee house ALL BY MYSELF!! For the record, I don’t DO spiders. My husband does the spiders and snakes; I do the rodents. Such is the perils of being all alone. Spider relocated outside in good health; I aged about ten years.
Engaged in many long soaks in the clawfoot bath.
Drank copious amounts of tea.
Ate chocolate healthy food.
Had a massage.
Suffered through the Worst High Tea in History (apologies to my sister for being subjected to that). On the upside, it actually inspired a change in the scene I was intending to write and I think it’s a better scene now, so all not lost.
Drank a cocktail with my sister after the Worst High Tea in History to make up for said suffering.
Oh yes, and worked long hours and finished my latest draft of The Tea Chest, ready to hand over to my publisher. Hooray!
And can I say what a brilliant job my husband did of looking after our bubbalicious, the furry children and the house all by himself for three days. What a superstar! Thank you xx
I’m starting to tingle already in anticipation of where I’m headed tomorrow: for three nights at the gorgeous Spotted Chook in Montville, on the Sunshine Coast hinterland. With much relief and joy, I’m heading away all by myself to work on my novel and this is my greatest wish for my birthday weekend, the best present a girl could have. Just me, the mountains, beautiful surrounds, my manuscript, my laptop and more chocolate than humanly possible to consume healthy food.
I need peace and quiet, no internet connection, and dedicated emotional space to finish the current draft I’m working on before it moves to its next stage towards publication. And it’s always about this time in a novel’s development that I begin to feel like it’s really maturing, so I’m excited to see in which directions it will grow in the next few days.
For me, writing retreats are not just a luxury (because sometimes they just involve locking myself in an office for extended periods of time) but an absolute necessity. It’s where the outer layers begin to peel away and I get to the core of my story, my characters and my abilities–What’s underneath that? And what’s underneath that? And that?? Push further. Go deeper. There! There it is!! Hooray!
Oh, and did I mention I’m going to high tea with my sister for the purpose of RESEARCH!? Ah huh… yep.