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An author, 20 years in the making. Trust me, there’s still time for you.

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Dear (as yet) unpublished writers,

I realised recently that this year it is has been 20 years since I declared I wanted to be a full-time career author. Twenty years! That might have made me feel the teensiest bit old.

(Do you know what else made me feel old recently? My six-year-old came home from school and told me he’d joined the junior choir and they were learning John Mayer’s song, Waiting on the the World to Change. I was thrilled. When I was six years old, I also joined the junior choir and do you know what was the first song I was taught? God Save the Queen!!! I’m not even joking. The second song was Advance Australia Fair. Yep.)

Anyway, back to the writing thing…

I still remember that moment well. It was 1999 and I was in my first year teaching. I had gone to a weekend workshop with the Queensland Writers Centre. I was so inspired that I had a ‘full body moment’ where I decided this is it. This was what I wanted to do for the rest of my life. I wish I could remember who the teacher was that day. Clearly, she was so inspirational that she changed my life.

I’ve been writing ever since, short stories, poetry, flash fiction, contemporary novels, kids books, non-fiction, newspaper and magazine articles, online articles. Not all of it has been published. Not all of it is good. Most of it didn’t make any money. Sometimes it was exhilarating and sometimes heartbreaking. I made friends, a community. I won some prizes, was shortlisted for some, and on one memorable occasion was ranked in the last (i.e. considered ‘worst’) twenty-five per cent of entries.

It all changed in 2012 when I was signed by an agent. My first book, The Tea Chest, was published in 2014, but it was actually the tenth full-length manuscript I had written.

Sometimes, you’ll hear about a writer who just decided to write a book and it got published. If you’ve been slogging away for years and years at your craft, this can be deflating. But everyone’s journey is so different. A writer might publish one book and never publish another ever again. Another writer might publish a book and it’s a runaway hit, only to never have another book live up to the first one’s sale ever again. Another writer might write twenty books and make the same amount of money as the one with the mega hit, just over a longer time period. Another writer will start with modest sales and then build, and build and build.

There’s still time and space for you too. Perhaps you just haven’t truly found ‘your voice’ yet–that important but difficult to describe quality to your work. Perhaps you’re just not writing in the genre that’s right for you yet. Perhaps the timing of the market just isn’t there to support your work yet. Yet. Most writers I know slogged it out for years before they were published. You’re definitely not alone.

This year, I am blessed to have two books hitting the shelves (fiction, with The Gift of Life in April, and non-fiction with Buddhism for Meat Eaters in July), bringing my list of published books to seven. Seven doesn’t sound like a lot, I know. But writing is a slow game, a long game, and you’re going to need stamina to turn it into a career. There’s no one path to publication and no guarantees of outcomes after publication. It’s a game of luck as much as skill. The thing that keeps you going, the thing that must be there to keep you going, is passion. You write because you have to. You write for love. You write for the bliss moment, the moment when the real world falls away and it’s just you racing to keep up with the story your characters are telling. There is no other way.

Write on!

p.s. the story of my little red typewriter is here

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Authors for Farmers: It’s a Wrap!

Screen Shot 2018-10-30 at 8.43.49 amWell, what a whirlwind that was! All the Ebay auctions have now finished and every single manuscript assessment on offer sold! Ten lucky writers out there are getting themselves one-on-one manuscript assessment with a leading Australian publisher or author.
 
I want to say a HUGE thank you to the publishers and authors who put themselves up for auction! As I was putting those profiles together and listing them I thought, wow, this would be really scary! To put yourself out there like that takes great courage and I am so grateful so many people did it. THANK YOU, Sophie Green, Ali Watts, Annette Barlow, Lisa Ireland, Michael Trant, Louise Allan, Melinda Tognini, Annie Seaton, Katie Rowney and Jenn J McLeod!
 
Books are still flowing over to the winner of the giant book raffle, who is in turn sharing her books with her friends. Thank you to all the authors who contributed books (far too many to list out here). You helped make this the biggest book raffle around and raised nearly $20,000 for Australian farmers in need through Buy a Bale (Rural Aid).
 
The auctions raised another $8,000, though I’m still waiting for ebay to calculate the fees before I can get a final figure and do the transfers.
 
But whatever the final value is it is a big win for our farmers and I’ve no doubt will be much appreciated when it gets into their hands.
 
I’ve decided I will do this again next year, for a different charity and I can’t wait to see what turns up then.
 
THANK YOU ALL for buying tickets and bidding on auctions. You are STARS!!!!
 
Jo x
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Manuscript Appraisals for Aspiring Writers, Starting Monday, 6pm!

Calling all writers!

Your chance to win yourself a RARE opportunity for feedback on your work in progress from a leading Australian publisher or author is nearly here!

Round 1 bidding begins on ebay, Monday October 15 at 6pm!

This round includes:
Publisher, Sophie Green:
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Author, Jenn J McLeod
Author, Michael Trant
To find the auction you’re interested in, just search ‘Authors for Farmers’ and the person’s name.
This is a fundraiser initiative with proceeds going to Buy a Bale (Rural Aid) to assist Australian farmers experiencing hardship through drought.
I can’t wait to see what talent is unearthed in this process.
Best of luck!
Jo
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Authors for Farmers: 100 Books for $100,000. Final List of Books.

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I’m setting the bar stupendously high and aiming for $100,000 for our farmers. Think we can do it? We’ll never know if we don’t try!

Get your tickets here!

Here is the final list of books in the prize pool:

Josephine Moon Three Gold Coins + The Chocolate Promise
Nick Earls Analogue Men
Monica McInerney Trio of Quinlan novels: The Alphabet Sisters, Lola’s Secret, Trip of a Lifetime, signed
Rachael Johns Talk of the Town + The Greatest Gift
Katherine Howell Web of Deceit (US hardback), signed
Nicki Edwards The Peppercorn Project
Liz Byrski A Month of Sundays
Karen Viggers The Lightkeeper’s Wife
Michael Trant Ridgeview Station
Louise Allen The Sister’s Song
Annie Seaton Come Back to Me + Her Outback Playboy
Sandie Docker The Kookaburra Café
Eleanor Limprecht The Passengers
Nene Davies Distance
Aoiffe Clifford All These Perfect Strangers + Second Sight
Elise McCune Castle of Dreams
Monique Mulligan Writing the Dream
S.D. Wasley The Seventh
Emily Madden The Lost Pearl
Pamela Cook Close to Home + The Crossroads
Tess Woods Beautiful Messy Love
Fiona Palmer Sisters and Brothers, Secrets Between friends, The Road Home, The Family Secret & The Saddler Boys, The Family Farm
Vanessa Carnevale The Florentine Bridge + The Memories that Make Us
Christine Wells The Juliet Code
Love Sabre (Kristine Charles) Love Sabre Anthology
Helene McCarthy A Quiet Hero
Katie Rowney Front Page News
Louise Guy Everyday Lies
Nadia L. King Jenna’s Truth
Amanda Knight Situation Critical
Sally Hepworth The Secrets of Midwives, The Family Next Door, The Mother’s Promise, The Things We Keep
Kylie Ladd The Way Back
Susan Johnson The Landing
Elizabeth Foster Esme’s Wish
Adele Dumont No Man is an Island
Cassandra Austin All Fall Down
Jennie Jones The House at the Bottom of the Hill
Shirley Patton The Secrets We Keep
Beth Prentice Dangerous Deeds
Phillipa Nefri Clark Jasmine Sea + The Station Master’s Cottage
V.P. Colombo A Little Bite of Happiness
Laura Sams Crazy Busy Guilty
Lisa Ireland The Shape of Us
Kelly Rimmer Before I Let You Go
Melissa Schembri How to Find Your Dream Job in 21 Days
Susanne Bellamy et. al. Hearts of the Town
Anna Daniels Girl in Between
Reba A Booth Hosts of Erravilla
Jane Gillespie Journey to Me
Joanna Nell The Single Ladies of Jacaranda Retirement Village
Kate Forsyth Beauty in Thorns
Racel Watts Survival
Margareta Osborn Mountain Ash
Ellie O’Neal The Right Girl
Michelle Endersby Awakening Around Roses
Darry Fraser Daughter of the Murray + Where The Murray River Runs
Amanda Hampson The French Perfumer + The Yellow Villa
Maddison Michaels The Elusive Earl + The Devilish Duke
Andy Muir Something for Nothing
Claire Varley The Book of Ordinary People
Fleur McDonald Fools Gold, Suddenly One Summer, What Does a Horse Say?
S.L. Mills GOM’s Gold
Alicia Gilmore Path to the Night Sea
Melinda Terranova Bequeathed
Ben Hobson To Become a Whale
Mark Brandi Wimmera
Liane Moriarty Nine Perfect Strangers
Anita Heiss Tiddas
Kirsty Manning The Jade Lily
A.L. Tait The Book of Secrets
Benjamin Law The Family Law
Christian White The Nowhere Child
Dervla McTiernan The Ruin
Brooke Davis Lost and Found
Jessica Rowe Is This My Beautiful Life?
Sophie Laguna The Choke
Tim Winton The Shepherd’s Hut

1st prize: 75 books

2nd prize: 15 books + $30 Dymocks voucher

3rd prize: 10 books

Open to Australian postal addresses only. Books will be posted directly to the winners from the authors. Prize drawn 2 October 2018.

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So You Want to Be a Writer, podcast

Want to know my top three tips for writing? Or how I manage characters and setting? Or maybe how to manage the light and shade in a story? I share all of this and much more on episode 231 of So you Want to Be a Writer.

Have you listened to the Australian Writers Centre‘s podcast series? It’s full of great information, tips and advice, as well as a regular guest speaker.

And this time around, I’m delighted to announce that it’s me! Click this link to hear the podcast.

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The first part of the podcast is a conversation with Allison Tait and Valerie Khoo and covers how to avoid the query stage with agents and publishers, then my interview comes after that at around 27 minutes. Happy listening!

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Win a Book Club in Box set of Three Gold Coins + Wine + Snacks!

Screen Shot 2018-04-18 at 8.22.23 amDo you have a book club? Want to start one right now?

Here is a wonderful opportunity to have your next meeting’s event delivered to your door, with 10 copies of Three Gold Coins, two bottles of wine and quality snacks, as well as reading and discussion notes and advice on how to start a book club if you need it.

Good Reading Magazine says: “Three Gold Coins packs a mountain of heart, an abundance of tortured soul and a banquet of mouthwatering food.”

To enter, simply follow this link.

Good luck!

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Write Your Own 8 Word Story

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Four books published but there is something rather special about these eight words This is a GOA billboard at Moorooka showing off my 8-word story. Thank you to Queensland Writers Centre for choosing my wee tale.

Such a fun and fabulous program to get art out onto the street. I remember only too well all the days of sitting in traffic and it would have been such a lovely thing to have little fairy drops of literature to feed my soul along the way.

Want to play along? You still have time to enter your own 8-word story! Just tweet it with the hashtag #8wordstory and tag the Queensland Writers Centre. Or go to https://8wordstory.com to enter online by Friday 24 November.

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Time is Time… Or is It?

time is time‘I need more time.’

‘I don’t have time.’

‘If only I could find more time.’

Does this sound familiar?

When speaking to fellow creative types, the thing I hear the most is the lament for the lack of time to devote to our much-loved art form, be it writing novels, painting landscapes, composing songs or quilting. Artists of all varieties need access to resources—technology, paints, textiles and education, for example—and included in that list is possibly the most coveted of all, time.

Until recently, I thought of time as a finite resource, and struggled with a year planner to work out how quickly I could write my next book, and the next one after that, and so on. With my fourth novel in progress right now, and further contract discussions at hand, I am forced to squash my creativity (by definition, nebulous) hard up against deadlines. But how can I possibly know how long it will take me to write a novel before I’ve even started?

The tricky thing for me to estimate, which I am sure is true for many other creatives, is ‘brew’ time. That is, the time I set aside for my creative project to marinate, so that when I later go back to it, I am looking at it with fresh eyes and lively new ideas. That ‘resting time’ for a creative project helps it mature to greater depth and richness. But is there a way to shorten the brew time, still get a pleasing outcome, and potentially increase my productive output?

Yes, I now think so.

In my struggle to understand how to do this, I spoke with author of twenty-seven novels, Dr Kim Wilkins (who also writes under the name Kimberley Freeman), and who coincidentally happened to be writing an academic paper on just this topic, and asked her about finding the balance between allowing a project time to brew and pushing forward towards a deadline.

‘I’m still learning, but I think I know instinctively if I’m procrastinating. There are also things I do to make the brew happen, like going for a walk, or sitting with my notebook and gazing out the window. I find if I keep connected to the project, and make time for it (including time to research, read, and think) it usually comes. I never force it. The writing is awful when you force it.

‘The incubation period is an acknowledged part of creative activity across all fields. It’s like an exercise rest day: it feels like you’re getting nowhere but you actually are. It can’t always be forward motion.

Kim’s idea that she can ‘make the brew happen’ piques my interest. I now realise that I have been thinking of my brew time as a completely passive activity, when maybe I could speed up my process by specifically allocating smaller portions of time to focused and active ‘thinking’ rather than having long lengths of amorphous subconscious brewing where I wait for the messages to swim up from the deep.

Possibly to my own detriment, having long breaks may even slow me down in more ways than I think. In Kim’s forthcoming academic paper, Writing Time: Coleridge, Creativity and Commerce, she says that ‘As in physics, the initial energy required to start motion (in this case, writing) is greater than that required once momentum is achieved. Interruptions force inertia, and that initial energy must be found again and again.’

The lesson I am receiving, then, is that smaller parcels of active time done more frequently will get me further than longer periods of action after lengthy stretches of rest. Possibly too, if I constantly see my manuscript with fresh eyes after extended absences I will simply reinvent the piece (creating more work for myself), rather than digging deep enough into what I already have to bring it to fruition as it is.

Kim also reminds us that time isn’t just time. Yes, there are sixty seconds in a minute but we don’t necessarily perceive it that way. I’m sure we’ve all had that experience of a minute feeling like an hour and vice versa. Perhaps if I engage my thinking time more actively I might even trick myself and my creative flow into believing I have more time than I actually do.

Most of us will have also at some point found our ‘bliss point’ in an activity where we reach a sense of timelessness, or time standing still, or time meaning nothing. At varying points in our life, time shape shifts and bends. I am often reminded of that saying that goes around in the circles of new mothers—the days are long but the years are short.

Maybe the answer to my struggles lie in applying this same level of intense attentiveness to my novel as I did to my new born, where the whole world fell away to just leave he and I together, working it through, getting to know every different type of cry and facial expression, the sound of every breath and feel of skin. Every day was a marathon that lasted a week. And yet he has just turned five and it’s all happened in the blink of an eye.

Time is merely a notion. I now believe that it might just be possible to increase my productive output while simultaneously slowing down my experience to something that serves both my novel and myself just perfectly, perhaps simply by being more present with the time that I have.

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Artists, you are a human being first

<Trigger warning: contains descriptions of violence and murder.>

I recently saw a one-act play. It was part of a number of one-act plays being showcased in an afternoon. I took a last minute invite into the theatre. Then came the terror.

This particular play told the story of three little girls who’d all been murdered by a depraved man. We witnessed (with fabulously effective lighting and sound effects) his stalking, snatching and killing. The girls relayed to us how they felt–the fear, the intuition, the terror. And we learned what he did to them after he’d killed them.

Even as I write this, my heart pounds, my hands sweat and I feel like vomiting. This was how I felt in the theatre. I desperately wanted to flee but felt trapped. I blocked my ears but could not block out the sounds. I closed my eyes but it made no difference.

At the end of the play, a woman a few seats down from me leapt to her feet and fled. I followed. We made our way out of the curtains and exit doors and burst into the sunshine, stared at each other in horror and burst into tears.

‘That was horrendous!’ I gasped.

‘I don’t want that in my consciousness. I don’t want to hear that. I don’t want to see that,’ she cried. And therein lies the problem: what you’ve seen you cannot un-see; and what you’ve heard you cannot un-hear.

‘Neither do I. I have a four-year-old,’ I said. ‘Was there some kind of rating on that?’

We both fumbled for the program. No, there was no rating or advice about viewing. There had been young teens in that audience (maybe twelve or thirteen). The synopsis gave nothing to indicate the sheer viciousness of what we were to be subjected to.

Assault. That’s what it was. A random attack on our psyche–serious mental and emotional disturbance from out of nowhere.

Obviously I am an artist and I champion the rights of artists to make provocative work. So be it. Make what you like. But what you don’t have the right to do is inflict something so clearly designed to instigate serious affliction on someone else without some kind of warning.

Sometimes a work of art will take us to dark places for the explicit purpose of showing us movement in a story–from dark to light, from despair to redemption, from grief to love. There is a purpose to that darkness. But darkness that is that sophisticated (and it was cleverly written, sure, and it was expertly executed by the production team, certainly) and has no light, not a single shift, not a ray of hope, is just immature, thoughtless exploitation of our most precious resource: our own sensitivity to each other’s pain.

And lest you feel I might be a lightweight when it comes to things like this (which, hand on my heart, I confess I am), I think only someone who lacks a human spirit or consciousness would be unaffected by hearing how this man dismembered these girls and buried their little kneecaps under the staircase of their mothers’ home.

It is not okay.

I feel graphically assaulted, viscerally wounded and I will not bury my distress under the collective artists’ cop-out catch cry of ‘it’s art, you can’t censor it, it’s meant to provoke!’

You might be an artist. But you are a human being first and foremost and your first responsibility is to your fellow humans. Always.

Be the light in the darkness; don’t BE the darkness.

Produce what you like. But make sure you give us choice.

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Clare Valley Readers and Writers Festival

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I am super excited to let you all know that I am an invited guest to this year’s Clare Readers and Writers Festival in the beautiful Clare Valley in South Australia. Once again, I have drawn the lucky straws when appearing alongside other authors (and one agent) and am thrilled to share the stage with this year’s list.

The festival runs from 25-26 November and registrations open from 1 September.

I hope to see you there!

Jo x

You can read the official announcement here.