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thoughts on writing

How to Keep Writing (When Life Gets in the Way)

I’m far from an expert at this, but I’ve had to learn really fast how to deal with high levels of writing commitments (i.e. publishing contracts with deadlines and money and stuff) with a baby/toddler in tow). And right now, I’m in the middle of my structural edit for my second novel, with a deadline this month so it can move through editing and onto the printers in time to hit the shelves in April next year (yay!).

And, timing of all timings, our household has been hit with one nasty virus after another–I’m talking flu, gastro, and now my toddler has a strain of a particularly nasty chest virus that’s knocked him down for more than a week. And when your very young child is sick, there’s not a lot you can do other than drop everything and look after them. They can’t go to daycare (if that’s what they do) and no one else (even the most doting aunties and grandparents) will want to look after your germ-infested, dripping, feverish, sneezing, snotting, wailing darling child. Quite reasonably.

Act like a squirrel: prepare, prepare, prepare
Act like a squirrel: prepare, prepare, prepare

Add to this the extra effort required with washing, sterilising and disinfecting, trips to the doctor, late-night runs to the pharmacy, the emotional stress of watching your little darling crying with fever or pain, or simply because they can’t breathe well enough to actually get any sleep, their rabid wrestling when you try to administer medication five times a day, and their likely constant need for affection and comfort, and you’ve got yourself a pretty intense time, and not a lot of mental space.

And then there’s the stress that your work is falling way behind.

So here’s what I’ve learnt to do: act like a squirrel. Be singled-minded about preparing for the future. Give up any idea of getting any serious work done and simply nest. Shop for food. Cook food. Freeze food. Plan meals. Do tidying and cleaning where possible. Wash clothes. Order supplies. Pay bills. Make phone calls. Send emails. Essentially, pretend you are leaving home soon to go away for a two-week holiday. You can do these things in little snatches of time between nursing, and they don’t take much mental power. And then the very second that the crisis has passed, you are set to go. Leave all that domestic chaos behind and sink blissfully into the newfound time and freedom you have so efficiently created while nesting alongside your sick child (or sick dog, or couch-surfing nephew, or whatever else turned up unexpectedly at your door). Right now, my freezer is filling and I’m on top of the washing. I’m just waiting for the season to pass so I can dive back into my book and enjoy all those nuts I squirrelled away during the storm of relentless ills.

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The Tea Chest #1 Bestseller & Goodbye Dear Jasmine

Screen Shot 2014-05-02 at 11.25.47 amLife’s a funny thing. This week started out difficult for several reasons and then gotIMG_2421 really tough, with me having to make the heartbreaking decision to euthanase my cat Jasmine, who was 18 years old, and had been with me since a week before I turned 20. That’s almost half my life. Her loss is very much the end of an era.

She’d been with me from university through relationships, house moves, marriage, miscarriage, a baby, and finally my dream of becoming a career author. And now she’s gone.

And then today, a fellow author alerted me to the Allen & Unwin website. My debut novel, which Jasmine helped me write by sitting in my lap and drooling on my pants till I had to lay tissues down while she purred, has just ranked no. 1 in their Top 10 Bestsellers.

Proud? Yep. In awe? Yep. Grateful? Hell yeah. Sad? Yes, sad too.

It amazes me that really sad and really happy things can happen at the same time. It amazes me that, on my last day with Jasmine, I could lie in bed with her, grieving, and be hungry for goodness sake. Hungry! Like, how could my body just keep going on doing its thing when this really important and special part of my life was ending?

I have no words of wisdom here to share, just an observation that really awesome things and really sad things don’t always happen at neatly scheduled times. Life just keeps dishing stuff up and sometimes it’s brilliant and sometimes it sucks. But I guess there’s always hope that more good stuff is on its way.

I’m incredibly grateful to everyone who has been buying and reading The Tea Chest. Thank you.

And to you, my dear Jasmine, thanks for the company on this crazy journey of life.

Jasmine, Christmas 2013
Jasmine, Christmas 2013
Jasmine in healthier days, off to greet my horse Lincoln
Jasmine in healthier days, off to greet my horse Lincoln
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Random Acts of Fairy God-people

 

MGB
MGB

Michael Gerard Bauer, I’m looking at you.

On my (rather excessively long) journey to publication, I’ve had some fairy god-people types appear every now and then. The most obvious of which was Monica McInerney. But there have been others, and one of them was Young Adult fiction writer, Michael Gerard Bauer, an author of fantastically entertaining, witty, funny and sensitive stories for young people. And one year, I met Michael. It was at the CYA Conference in Brisbane. It was afternoon tea time and (with no disrespect intended) I had been wondering all day long why I was there. I’d been to CYA before, and thought it was great. But I think, this particular year I simply had a deep knowing that I was on the wrong path. (And as it turns out, I was. I wasn’t a YA author after all but a women’s fiction author.)

At any rate, I found myself standing with a cup of tea next to MGB and decided to say hi and tell him how much I loved his books. Our conversation lasted a handful of minutes but Michael was so very lovely and asked me a lot of questions about myself and my writing. Along the way, I confessed that I was feeling very disheartened and frustrated, like I was always getting oh-so-heartbreakingly-close to publication but falling at the last minute. The conversation moved on, with Michael telling me how amazing it is to have a publisher say they want to publish your book, and how much he still felt that thrill, even after many books on the shelf.

My poster that was taped to the bathroom window
My poster that was taped to the bathroom window

And then he looked at me, straight in the eye, and from no where said, “And you are going to feel that too, very soon.”

Chills went down my spine. THIS was why I was at that conference. So MGB could touch me with his fairy wand.

(I’ll give you a moment to process that image.)

I don’t know why Michael said it; we’ve not spoken since so I don’t know if he knows (or even remembers that conversation). But I drove home not long after that, feeling elated–like I’d been blessed by a very hairy fairy-god-man. It felt (and there’s no other way to say this) transformative. Like, because he’d said it then it must be true.

And a little less than two years later, I’d been signed by my agent and The Tea Chest sold shortly after.

And because I’m one of those odd people that put things on posters and tape them to the walls, I had printed out those words as soon as I got home from the conference. I didn’t ever want to forget them.

(And I’m sure that Michael is right now checking his doors are locked as there is a crazy stalker person out there who keeps photos of him on their board in their office. It’s okay, Michael, truly. No photos, I promise.)

They sat taped to the bathroom window for a long time, then came off one day when I was cleaning the glass and I stashed the paper under the sink. I forgot about it until we moved house in September 2013, found it, packed it, then found it again in our new place, just last week. (Let’s just overlook what this says about my housekeeping skills.)

I have now let that tatty, slightly mildewed piece of paper go, but I first wanted to photograph it and post it here to let all aspiring writers know to look for signs (okay, tea drinking, bearded men with glasses) that randomly come your way to let you know you’re on the right path. They’re out there. Oh yes they are.

(So too are the crazy people who will write down your words and tape them to the door….)

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Getting published: There’s no reason it can’t be you

In February 2009, QWC published an article I wrote called ‘The Power of the Positive’ in their WQ magazine, and I’m betting more than a few people thought I was a little nutty and ‘woo woo’. 

I started off by saying, “It seems to me that there can be a tendency in writing circles to dramatise the negatives… the main message is all about how difficult writing is, how it’s nearly impossible for a first-time writer to get published, how the annual salary for full-time writers in Australia is ridiculously low, how you ‘shouldn’t give up the day job’, how you ‘shouldn’t get your hopes up’, how everything is so competitive and how the slush pile is so high and the editor’s time is so short.”

 
Sound familiar?
 
An excerpt from my article, 'The Power of the Positive'
An excerpt from my article, ‘The Power of the Positive’

The rest of the article goes on to talk about the importance of believing the positive, visualising success, and channeling all that creative energy you have into something useful, rather than something that’s going to tear you down and bring others down with you–incorporating some sports psychology and some new age theory too.

But most importantly, it poses the question, ‘Why can’t it be you?’
 
Now, my first novel, The Tea Chest, has finally made it out into the world. And I am living proof that you can rise above all that negativity out there that will shoot down your dreams before they’ve even started. I’m not saying it’s easy to face more than a decade of writing books (10 manuscripts in 12 years for me before I got a publishing deal) and literally hundreds of rejections. It’s emotionally hard going when you’ve put your soul into a piece of art that other people criticise. And then it just sits silently and invisibly on your laptop with no where to go (which is why I’ve turned some of my manuscripts into books via http://www.lulu.com, just so I could see the completion of the project). 
 
And just for the record, The Tea Chest was submitted to every mentorship program and manuscript development program out there and not picked up.
 
You’ve got to do the work. Of course you do. I guarantee your book won’t get published if you don’t write it. But there is no predetermined expiration date or outcome on this. The sky truly is the limit (or maybe not even then).
 
Having said that, I do actually want to ‘ground’ this notion in a larger philosophy: that of art for art’s sake. Because I’m not saying you WILL achieve all those things you dream of. Sometimes, good work just won’t get published. This is not about bulldozing your way into perceived success via milestones and paycheques. The most important thing of all is to write. Just WRITE. 
 
If you are going to become attached to anything, become attached to being a writer, not to your manuscript. Then you will be able to move on from the wonderful manuscript you’ve worked so hard on for so many years and write a new one, or indeed something else entirely.
 
And just for once, I won’t quote Julia Cameron in The Artist’s Way (I do not work for Julia Cameron or get commission  though the amount I plug her I probably should…), but instead I will quote Australian author, Torre de Roche

Forget the stats, the numbers, the wealth, the prestige, the popularity, the things you imagine to be waiting for you on the other side of ‘success.’ They’re not there, and if they are, they won’t stay long. Instead, work tirelessly to make your soul happy. Keep going until you’re standing before a big, glorious creation made by you, for you. Your baby—made of cells, or paper, or clay, or words. That’s yours.

Be proud. You did it for the simple joy of creating. There is nothing more to life than that.

So don’t quit.” 

What I’m saying here is that we write because we must. We write because it makes us happy. That is why we do it. So do it.

But there is no harm in expecting the best along the way. There is no harm in valuing a financial reward for your art. Imagine your biggest, scariest possibility of whatever you deem to be ‘success’. Got it? Good. File it away somewhere in your heart and mind to revisit at a later date, shrug of the criticisms and the crazy looks you get when you say you’re working on a book (to which someone will instantly say, ‘oh, do you have a publisher?’ and you’ll squirm inside and say, ‘no, not yet’), and go write. It doesn’t matter what anyone else has to say about your ‘chances’ of being published. That’s their reality, not yours. Feel free to invent your own.
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GenreCon Wrap-up

gc-2013-web-banner

I was at GenreCon in Brisbane on the weekend, just for a day on account of my young child, and sadly missed out on the cocktails and karaoke, which were responsible for a number of red eyes on the Saturday. I was in a bit of a state myself, actually, having just lost my beloved Golden Retriever, Goldie, and I had several vague conversations with people, where words simply would not make their way from my brain to my mouth. Apologies if you were on the receiving end of one of these uncomfortable conversations.

Here are the highlights from that day, during the moments I was actually engaged with life.

  • Chuck Wendig was a special guest at a session on planning and prioritising writing around the complications of life and gave a hilarious account of what it’s like to have multiple book contracts and a toddler running around while trying to work, something I can empathise with wholeheartedly. Gracie Macgregor was also a guest there and equally funny in her accounts of writing and motherhood.
  • It is always delightful to chat to the lovely and funny, Anna Campbell, who managed to cheer me up for a few minutes. Thanks, Anna.
  • I caught up with a former work colleague, a fellow editor where I worked at John Wiley & Sons, Victoria Steele, and her friend, romance writer, Christina Brooke.
  • The food. Can I just say how amazing the food was at GenreCon? Seriously. Great job.
  • I sat in on a workshop with Damon Cavalchini on preparing for reading from my book, The Tea Chest (out in April 2014). I picked up some great tips, including thinking about what I would do if it suddenly began to rain on me in the middle of my reading (has anyone created an Iddy-Biddy-Book-Umbrella?), and also, the benefit of having my own source of light, such as a book light.
  • And it’s always a delight to hear Kimberley Freeman (Dr Kim Wilkins) speak on all topics related to writing.

 

Well done to Meg Vann and Peter M Ball for organising such a great event. I look forward to staying for the festivities next year too.

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Check out Sue Williams and Father Bob

It’s so lovely when authors help each other and this week I was once again gifted with some wisdom from of Australia’s prolific, talented and best-selling authors.

The scary thing about getting your first big publishing break(s) is that you’ve finally managed to scramble your way up into another level of achievement, only to have to kind of start from the bottom again as you attempt to write like, you know, a professional.

fatherbob_lrgI am very grateful to author, Sue Williams (latest book, Father Bob: The Larrikin Priest), for taking time out from her terrifying deadline this week to talk to me about the processes and quandaries of non-fiction writing and to share a bit of coaching as I work through my first major non-fiction book, to be published by Penguin in 2015.

My non-fiction book is about horses. And as a huge animal lover, I hope to write lots of animal-themed books over my career. But I have to get this one right first! So it was really reassuring to be able to quiz Sue one-on-one to check in with her and myself to make sure I was on the right track.

Please visit Sue at her website and check out her extensive collection of bestselling Australian books. Father Bob is sitting beside my bed right now waiting for me to get through the pile and I’m really looking forward to it 🙂

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It’s a hard life, but someone has to do it

I love research. And when it’s about food, even better.

Living the writer’s dream for me is about delving into subjects I’m interested in and absorbing a mass of information and, preferably, sensory experience. And it really doesn’t get any better than researching one of the greatest things on earth: chocolate.

chilli ganache

Chocolate features heavily in my next book and this weekend just gone my lovely (and exceptionally talented) sister and I headed into Brisbane for an afternoon of making chocolates and ganaches by hand. I have to say, though, that they worked us extremely hard. Amanda and I thought we might have a fun afternoon indulging in chocolate. Not so much. More like five hours on our feet, with no breaks, no chairs and (gasp!!!) no coffee!!! I felt like a galley slave.

But I am really glad I went. I learnt many a savvy chocolate making skill for my main

Litres of Belgium chocolate

Belgium chocolate ganaches

character to use in her story. And during the two-and-a-half hour drive home I came up with my top line novel plot.

Not a bad day’s work. Not bad at all.

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Nappies and Vomit Do Not Romance Writing Make

Let’s face it, there isn’t much that’s either romantic or sexy about motherhood. If it’s not the pervasive stains (and odour) of regurgitated formula, or the endless repetition of This Old Man playing knick-knack-paddywhack (what on earth is that anyway?), or the continual sense of chaos in the house, or that you ran out of facial scrub a month ago and keep forgetting to get more, it’s the fact that through sheer exhaustion and the fact that you have five minutes before your baby needs you again that you can’t even manage to wash your hair.

How then does a girl live the writer’s dream and conjure up images of romance and sexiness when the only fantasy she harbours is for four hours (let’s not be greedy) of uninterrupted, deep sleep?

I plan to take my bedraggled self to the Queensland Writers Centre this Sunday for a Masterclass in romance writing with prolific romance author, Anna Campbell. I’m hoping Anna’s expertise can help me contact my inner romantic woman, who is currently helping my characters, Leila and Lucas, strengthen their compelling storyline.

Anna, your timing couldn’t be more perfect. But please know that if I yawn the whole way through your masterclass it has nothing to do with you and everything to do with the littlest man in my life with whom I’m having a romance of an entirely different kind.